APPARANTLY TO DO WITH AIR VENTS AND CIRCULATORY FLOW
SO THEN, WHICH DIRECTION DOES THE WINDOW FACE?
BY USING THE NOTEBOOK AS A BLANK, CONCEPTUAL ARENA FOR DISSEMINATING AND CONFERENCING IDEAS – THE PRESENTED WORKS/OBJECTS/SCENARIOS ARE TRANSITORY IN THE GALLERY SPACE THAT IS EQUALLY AS BLANK. AS THE NOTEBOOK IS FIRST EMPTY IT IS THEN REVELATORY OF TIME SPENT WITH IT/WITHIN IT: THE GALLERY THEN, IS TRANSFORMATIVE OF OBJECTS USED AND SCENARIOS SET, CORRESPONDATIVE WITH THE PAGE TO WHICH THE IDEA FIRSTLY OWES ITS BEGINNINGS.
The work I produce is manifested within written pages of a notebook, the set paradigm that withholds notions of language, space and inauguration / organisation of ideas. The practice lies on the periphery of what can be and seems to be a studio, where ideas are then transformed into objects and subjects. Then comes the gallery-arena of ideas to be presented: I propose to use the gallery as a public-studio where the page can be three-dimensional and thoroughly explored.
TO WHICH DIRECTION DOES THE WINDOW FACE, AND WHERE DOES THE SUN LIE? The works in the exhibition will correspond also to the exteriority of the building, and the objects used will be organic with the natural setting of S1 Artspace, which is particularly industrious. This industriousness will be welcomed in furthermore transforming the ideas as they construct themselves within the gallery.
The objects will be of everyday, just as the ideas were conceived within everyday happenings: their arrangement will demonstrate certain dichotomies, developing further inspections upon how an artwork or object is recorded and proven.
