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NORTH

North: noun, situated in or facing or moving toward or coming from the north. North of where? Position is relative and attitude is dependent on so many factors, not just latitude.

North opening: Friday 3rd April 2009, 5-8pm (bring a bottle)

Until Friday 24th April 2009.

Temporary Art Space, Units 34-35, The Piece Hall, Halifax, HX1 1RE, UK

Artists: Callum Bell, Kevin Boniface, Alice Bradshaw, Esther Johnson, Milk Two Sugars (Bob Milner & Tom Senior), Luke Powell & Tom Blaker, Shaw & Shaw, Giuliana Sommantico, Adele Stevenson, Kate Stobbart.

http://temporaryartspace.co.uk/north.html


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Changeover 27th March – 3rd April 2009

Kathryn Oubridge's installation/intervention/performance during the Changeover between Temporary Art Show (March 2009) and North (April 2009)


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Changeover 27th March – 3rd April 2009

What could be more temporary than guerilla exhibitions in a Temporary Art Space during the taking down of one show and the hanging of the next? Every day promises to be different with variable opening times according to the hanging schedule. The public will be able to see the inner workings of a gallery as the parasitic 'Changeover' exhibitions attempt to occupy an ever decreasing space.


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Kathryn Oubridge: Neither Made Nor Unmade

Changeover: Friday 27th March – Friday 3rd April 2009

Temporary Art Space, The Piece Hall, Halifax (UK)

CHANGEOVER

What could be more temporary than guerrilla exhibitions in a Temporary Art Space during the taking down of one show and the hanging of the next? Every day promises to be different with variable opening times according to the hanging schedule. The public will be able to see the inner workings of a gallery as the parasitic 'Changeover' exhibitions attempt to occupy an ever decreasing space.

NEITHER MADE NOR UNMADE

The work explores states of transition. Whether this is a work in progress of something being put together or taken apart is unclear. The title alludes to 'Neither From Nor Towards' by the artist Cornelia Parker, whose work often addresses states of flux and change.

'Neither Made Nor Unmade' also reflects on context and meaning. The tiles come from a site-specific installation made for Holy Trinity Church in Leeds in 2008. How do we read the work now it has been uprooted from its original setting? Does it remain the same, or is it in the process of becoming something else?


KATHRYN OUBRIDGE

The artist's practice embraces many processes and is founded on the belief that art practice is a 'doing think' – that activity of the artist enhances our scope for reflection and re-evaluation. The work (which might be gallery based or be site-specific) usually involves a response to the site or situation in which it is presented. Current areas of interest are in modes of communication and the impact of the internet on our understanding of place and space.

The artist is a studio holder at East Street Arts and divides her working time between Leeds and Liverpool.

http://www.kathrynoubridge.com/


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Temporary Diary by Kevin Boniface

Invigilating Duty

After introducing myself to Jenny and Krishna I went and got some take-out coffee and a scale model of a Hawker Hurricane from the model shop downstairs. The man in the shop was very knowledgeable and told me about the pink camouflage used on Spitfires to hide them in the clouds. I thought this was interesting but Georgia says it's not and besides, she already knew.

The first three hours were very quiet. We chatted, drank coffee and I built the aeroplane.

A girl with blue hair came in and initially mistook Milk, Two Sugars piece for a Chapman's original but after reading its accompanying 'statement' giggled for the duration of her visit.

A tall man asked if he could take photos with his big camera, I said it was ok, and he did.

The last couple of hours were much busier. We had a steady stream of visitors and even had to shut up late.

A woman with her young daughter said she really liked Jared's drop-leaf table. She said she really felt for it; the way it had been captured, bound up in string and was being dragged across the floor by the egg (stunt double). "…there's nothing it can do, it can't even open, it must be very humiliating for a table."

Not long after that, a man in black denim and glasses left saying loudly "A ten year old could have done that!"

For the last hour or so we were entertained by a Mr Edwards from Almonbury and his amazing feats of paper folding. He's made 6,000 tiny origami crane birds, each from a third of a bus ticket. He gave the kids a jumping frog made from a lottery ticket – in its own presentation case made from junk mail. I couldn't decide between an eagle and its prey (also from a lottery ticket) or a peacock made from a dollar bill. In the end, despite its £3.50 price tag, I went for the peacock because it can actually fan out its tail.

I showed Mr Edwards my Airfix Hurricane but he didn't seem impressed.

Kevin Boniface, March 2009


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