ARTISTS ANNOUNCED FOR TEMPORARY ART SHOW (part 3)
Milk, Two Sugars
"In a world of increasing mediocrity and as an antidote to the culture of manufactured individuality we offer the world the only viable alternative, "Milk, Two Sugars". Milk, Two Sugars is a visual notebook published every month in a limited run of one hundred copies. These are distributed to a varied group of artists, writers, galleries and potential groupies.
The visual partnership of Bob Milner and Tom Senior began in March 2006. Coming together through desperation and fear of obscurity, the notebook is the starting point for a wide selection of work in a range of media. A love of drawing and a desire to communicate the deficient wisdom and combined wit of two exceptionally unfunny people is the motivation to create an array of visually stunning and ultimately forgettable images.
Ian Smith
"I have a studio at Westgate Studios in Wakefield where I am currently making sculptures and films.
The boots are a part of an installation work, which also features a chair and a tyre that have been similarly altered by the addition of matches.
As a result of using so many matches I have also acquired hundreds of matchboxes which I have used as building blocks in subsequent installation pieces."
Jared Szpakowski
"My work deals with themes of identity, purpose, humour & satire and currently involves working predominantly with installation, print and bookmaking. There are certain objects that obsessively persist and recur within my practice such as boxes, ladders, eggs and voyeur holes. My use of personification is both whimsical and quirky but also has the possibility to be read in serious and personal contexts and often involves an almost sinister suggestion of catastrophe.
The formulation of ideas, direction and composition is usually dictated purely by the space itself, be it outdoors, in a derelict area or gallery and work is frequently documented and then abandoned to its fate and to its discovery."
http://www.jaredszpakowski.co.uk
Josie Faure Walker
"Destroying the sculptures, paintings, drawings and collages I make has become a necessary ritual. Very little survives, and I find that positive. Much art is talked about without having ever been seen in the flesh, and the direct experience of object and viewer is replaced with whimsically worded press releases or curatorial statements and poor online reproductions. I enjoy these contradictions and questioning them has become a thread connecting my studio practice. Aside from this and the desire to recycle everything that I make into new work after being photographed, the subject matter and material of my work is all over the place."