On the 9th of November I hosted an event at the Arthouse in Wakefield supported by Disability Arts Online

I didn’t wan’t it to be the usual format of an audience being talked at. Instead from the very start I attempted to create an equal non-hierarchical atmosphere in the room. This worked successfully and enabled people to engage in the conversation, often talking about personally relevant and meaningful things, in a safe and trusting environment.  There were 3 talks/performaces within the day which enabled plenty space for deeper diving into the subjects of mental health and climate change with a particular focus on community, presence and loneliness. A huge thank you to everyone who came, participated and supported the event.

A day of performances, provocations and conversations to explore the intersections of wellbeing, climate change, and culture.

About this Event

Let’s Talk about the Weather is the first event taking place under the Emotional Weather Bureau umbrella, created by Aidan Moesby.

The event will bring together artists, writers, musicians, medics, meteorologists, cultural critics and commentators for a day of performances, provocations and conversations at The Art House Wakefield. We invite you to be participants and contribute to the conversations.

Over the past year, Aidan Moesby has been a Disability Arts Online Associate Artist developing his socially engaged, conversational, and curatorial practice. This has coincided with devising and developing his first performative work ‘I was Naked, Smelling of Rain’, which premiered at Arc Stockton on October 17th, and gaining a Curatorial Residency at Middlesbrough Institute of Modern Art.

As part of his development, he has created the Emotional Weather Bureau – a nomadic space in the real and virtual worlds acting as a location for activities which explore the relationship between climate change and wellbeing.

Moesby’s work focuses on the external physical weather and our internal psycho-emotional weather as a metaphor to explore the dual crises of Mental Health and Climate Change.

This may include, but is not limited to: research, education, discussions, artist residencies, performances and events. The Emotional Weather Bureau will work within a variety of settings and locations, be that in a town square, a library, a gallery, online or as a curated space at a festival. It may be a table in a community space, a science laboratory, a garden shed.

This format allows Moesby to be artist and curator, collaborator and funder as he invites others to be part of the Emotional Weather Bureau.

Refreshments and lunch are included in the ticket price.

Confirmed speakers/performers:

Dr Fay Bound Alberti is a historian of emotion, bodies, gender and medicine. She has researched and lectured at many UK universities including York, University College London, Lancaster, Manchester, and Queen Mary University of London, where she co-founded the Centre for the History of Emotions. She is currently UKRI Future Leaders Fellow and Reader in History at the University of York.

Duncan Speakman is a composer and sound artist based at the Pervasive Media Studio in Bristol. He creates narrative sound led experiences that engage audiences in uncontrolled public and private space. He regularly creates bespoke work internationally including installations on trains in Guangzhou, loudspeaker symphonies in New Zealand, audio walks in Saitama, and sound installations in Porto; he has also recently developed a number of hybrid print/digital experiments.

Tineke De Meyer is a Belgian artist who studied comparative literature at the University of Ghent. Since then, her work has focused on dramaturgy and writing, but also as an assistant director in theatre at NT Gent. In 2017 she worked on the Ambient Literature project as a dramaturge for It Must Have Been Dark By Then. Her work has been presented at Vooruit, TedX Amsterdam, Zuidpool, IDFA and Oorzaken.


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I was Naked, Smelling of Rain – now an installation

Following its’ successful R&D phase funded by Unlimited, ‘I was Naked, Smelling of Rain’ received Arts Council England funding further supported by  ARC StocktonDisability Arts Online, The ArtHouse and Pervasive Media Studio to be developed into a full scale pourable work. Having worked with Daniel Bye as director, dramaturg, producer and all round roustabout the new version had its first outing at ARC in October.

This has been a curious piece for me. I first imagined it as an installation, but the more I did the research for it the more it was demanding to be a ‘live’ work. I have never had any ambition, secret or otherwise, to be a performer and definitely not an actor. I was really lucky in the R&D phase to be introduced to Daniel Bye at ARC by the amazing Annabel Turpin – CEO at ARC Stockton. Dan would chat to me on the phone and talk through things, not the he was ‘officially’ part of the project – that’s just the kind of person Dan is – generous with his knowledge, expertise and time.

Since getting ACE funding I have totally rewritten the show over 3 intensive weeks with Daniel Bye being the steadying guiding hand. It had its first public showing at ARC in October. Somehow between us we managed a set design and a lighting design – in that particular us there is less of me and more of Dan, although it was collaborative.

So now the full version of ‘I was Naked, Smelling of Rain’ is about 50 minutes long with a varying degree of chatting with audience at the beginning as they come in and settle.

In an artistic twist I got invited to show the work as an installation. So from an installation to performance then from performance to an installation.

The process of turning it into an installation was interesting. How do you keep the essence of a work whose power is in its’ liveness within a non-traditional exhibition cube which is family friendly. Obviously all the overtly triggering references needed to come out. I used the sound tracks which Duncan Speakman composed and I had improvised over for the R&D and which Dan Bye used to design the soundscape at ARC. The works which I commissioned Duncan Speakman and Tineke De Meyer to respond to my writing and the subject of ‘Naked, Smelling of Rain’ are also included.

I re-edited the travelogue from the R&D to accompany the sound piece. This has a definite aesthetic of being present and moving through the landscape as an active observer. I have deliberately kept a low-fi vibe – avoiding the polished version of a video as it would jar with the original performative work.

A coat rack with a sou’ester and wellingtons and umbrella together with some prints referencing the weather create an overall living room, intimate atmosphere.

Finally, flip dots display a scroll of weather phobias, the names of winds, words associate with loneliness and are so redolent of the sound of rain as they move.

A family friendly abridged version is currently being shown as an installation at We The Curious in Bristol

On 27th February 2020 I will be performing the whole show at We The Curious.


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Following its’ successful R&D phase funded by Unlimited, ‘I was Naked, Smelling of Rain’ received Arts Council England funding further supported by  ARC StocktonDisability Arts Online, The ArtHouse and Pervasive Media Studio to be developed into a full scale pourable work. Having worked with Daniel Bye as director, dramaturg, producer and all round roustabout the new version had its first outing at ARC in October. I am now looking to tour the show to various venues from theatres to festivals, from art galleries to less traditional interesting spaces


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