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Viewing single post of blog The Shape of Things (Alinah Azadeh)

I have just finished the 6th of 8 mass gifting workshops here in Bristol this week. There has been a real range of groups- from primary school (10-11 year olds at Golden Valley and Knowle Park), to adult artists at The Studio Upstairs and the third session with older members of The People’s Panel at the Museum. I realize how flexible the framework of this project is for engaging people in the different themes of the work most appropriate to them.

With the younger ones, both in and out of the museum, I highlighted the parallel between everyday objects in the collection and their own contributions, pointing to future times when they will become ‘the ancestors’ and their chosen gifts will be ancient artefacts.

They seemed to respond very viscerally to the idea that these objects were being reborn through The Gifts. Today, two of the children at Knowle Park came up to me with their wrapped objects to show me that they had left a small hole in one corner so that the object (in both cases a first toy) could breathe…

They all seemed to think very carefully about what they were writing on their cards, knowing that it would be on display . I think the physical act of wrapping and binding has been having an effect, its finality and also the transforming nature of the materials we are using – mainly muslin, silks and recycled sari yarns. It has felt at every session that there is a kind of three dimensional form of painting going on , with the binding being a very real form of individual mark making.

Other themes I have been drawing out, especially with the adult participants, have been my own personal process of grief and healing and how it informed this project, and how I have developed the seed idea into what is going to be a very large -scale artwork…it seems to be that people are responding powerfully to the concept of the Gifts, and enjoying the haptic connection with the project through the object wrapping, underlined by written reflections on the personal meaning to them of what they are donating.

I have also enjoyed broadening ideas out with the primary school children of what art can be in terms of both mediums used and the closing of the gap between personal processes and public art.

Images to come later.


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