Last year, I gave a talk about my life at a Meet-up event to an audience of about 80 people. There were many things I was excited to share with the people there, like the time I lived in Japan, […]
An account of my New collaborations bursary-funded adventure in Paris 2013/14
I met Skye in 2011 when I was selected for the Jerwood Painting Fellowships. She came to my first ever studio in Hackney, an ex-Victorian warehouse with gigantic windows and high ceilings, perfect for making large paintings. Back then I […]
In March 2015 I received a bursary to pay for mentoring with writer and curator George Vasey
BA (Fine Art) student at HCA
The following blog is about a series of 3D pieces I have created using the idea of pattern and repetition, each piece is hand painted.
The following are photos of paintings I have made using colour variations on an original image, thinking about the different seasons as I work.
The trials and tribulations of a 21st Century textile artist exploring computer programmed embroidery and soft circuits to make thoughtful, reactive artworks
Community artist based at a housing redevelopment in North Kensington interviews residents, councillor, architect and Turner Prize nominated artist.
I’m an artist living and working in London. I draw sprawling, delicate cities inspired by geometry, nature and architecture. In this blog post I recall my last 18 months of drawing on ‘Vine’ and my recent participation as a nominated ‘Best Vine Artist’ in the ‘Shorty Awards’
Essex has approximately 460 miles of coast comprised of mudflats, salt marshes, intertidal zones, off shore sand banks, 19 islands and much more. And then, there is its intense, expansive, wild, challenging beauty which activates and engages every sensory modality.
This is my blog about my current series of spiritual art, seeking a meditative view of the universe, with abstract paintings of people and places.
In 2014 I was awarded an a-n Re:view Bursary to support the critical and artistic development of my work. I met three arts professionals who offered advice on my then current projects. This article is a summary of the impact the advice had on the development of two key projects.
Exploring the different ways I can “break” an image.
Group research visit to Gloucestershire Guild of Craftsmen gallery, SIT trail and to meet exhibiting artists
Charting the outcomes and reflecting on the progress of the Go See Bursary Collective Creativity were awarded in 2015.
My year has been punctuated by mentoring sessions made possible by the Re:View Bursary from a-n. Firstly, it’s important to say how great it was to be able to pay artists for their time and experience (and we all know […]
Report on HOUSE VISIT’s research trip to Billytown, The Hague, in May 2014, funded by the a-n New Collaborations Bursary.
To write is not to describe. To paint is not to depict (Georges Braque) Art has had a long history of describing and questioning its environment and this has been inextricably linked with technology. Artists explore and query new ideas, scientific […]
I’m currently studying on the MA in Inclusive Arts Practice (2015-2017) at Brighton; this is causing a shift in the way I view both my past and current work; I definitely need a new platform away from my work archive (1990-2015) on www.walkintomyparlour.com
I’ve had a busy start to the New Year and have a whole host of new drawings that I’ve created… here’s my new blog explaining my process, techniques and reasons behind them.
44AD Gallery /Flash Residency blog
I have so many works on the go it’s hard to keep up with them. So I am contemplating on a better platform to selling work here in Ipswich and the kinds of agency required to sell work and give them esteem. This blog documents a number of challenges in making good things happen.
I am hoping to have a stall at my first ceramic craft fair this year. What top tips have bloggers got?
Jamboree is a new residential workshop model, initiated and developed by artists LOW PROFILE. This blog frames LOW PROFILE’s motivations and aims alongside contributions by participants, to share the knowledge, ideas, activity and materials developed throughout the workshop.
Opinions and experiences, discussing and documenting practice in the visual arts.
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