draft proposal part 2…
With my work after the degree show I plan, on carrying on with the concept and ideas I am currently working on but exploring the concept and materials more. Because of the limited time limit to get work in for the degree show, I haven’t had the chance to explore other avenues that my work could progress down that may take a long period of time, I plan to use the masters to explore these routes and really open up my concept.
I plan to use the same or similar materials I am currently using, but plan to look into using molten sugar to create work under the style of Joseph Marr and to explore the concept of installation work, and x-rays.
I would also like to be able to learn to critically explore my work better to gain a better understanding of my work and concept. I would also like to explore ways of making my work more permanent, for example using photocopier powder and heating it to stick it to glass or Perspex. I would also like to try and make a large scale resin tablet with photograms or a charcoal piece suspended inside, and to make my work on a larger scale.
I think I will continue to observe the human form but maybe start to bring other people in to act as subjects, that have flaws with them and are a different shape to myself, taller, fatter, skinner etc. and properly spend time exploring the diversity of the human figure. Looking at people who were born with defects and looking at people who have defections through consequences within their life and that are brought on through their surroundings.
The other part I would like to explore is human effect on other humans, looking at the way people perceive you and how that affects your moral being, your confidence, and how you perceive yourself. So I would like to make pieces where human intervention is a key element, for example doing charcoal pieces across the whole floor in a room and then allowing people to walk across that floor to view the pieces in turn leaving their mark and foot prints behind them.
Changing and hiding the pieces the more human intervention the piece gets, so that in a way the more you batter someone down by judging them for what the look like and the defects they have, their soul, their spirit turns from a beautiful crisp image to something that is faded, scuffed and dirty. Losing the image, the form, that was once there. But then on the other hand the beautiful image was made from the dark, dirty dust to begin with.
“On the ridge where the great artist moves forward, every step is an adventure, an extreme risk. In that risk, however, and only there, lays the freedom of art.” Camus, A.
“Our house was bombed, but there were lots of bricks. Ruins are wonderful because they are the beginning of something new—you can do something with them.” – Anselm Kiefer