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Cindy Sherman (Continued)

I’m trying to keep this way of thinking in mind as I work on new images. Last semester I was really hesitant to go beyond myself, though I did try, I really struggled with people making a judgement about me based on my images.

This year I’m not so afraid of that and I realise that these questions are important aspects to my work. I’ve always looked at identity and people asking questions about my identity, the images identity, is quite an exciting way to interpret work.

What also fascinates me about Sherman is about how her work is still inspiring artists today. Recently I have loved actor James Franco’s reinterpretations of Sherman’s Film Stills Series, apart from the sheer comedic values of his images I think there’s also a very poignant play on societal gender roles which possibly emphasises Sherman’s conceptual values. It’s interesting to read about how the technicality of her photos can inspire too, as mentioned by Franco himself:

“Cindy Sherman’s groundbreaking series Untitled Film Stills showed us how we look at ourselves in film. These were performances within multiple fames of significance. But Sherman was an artist looking at the film industry from the outside. I have started on the inside. I earn my living in the commercial film business. This new series of film stills puts one more frame around the dialogue Sherman introduced.”

(Quotes found on: http://www.nytimes.com/1990/02/01/arts/a-portraitist-s-romp-through-art-history.html http://www.beautyequation.com/beone/cindy-shermans…

http://www.artinfo.com/news/story/825977/francos-s…

http://sfmoma.tumblr.com/post/31064176516/james-fr…

As are the images)


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Cindy Sherman

I have to be honest and say that I’ve looked at her work over and over again. Yet her presence is still as strong as when I discovered her work the first time.

I find that Sherman’s work takes me to another place where I subconsciously question everything. How did she take that shot? Why did she dress like that? How effective is her use of colour? I find with Sherman’s work there is a stark contrast between her earlier and later works.

Firstly, her earlier untitled film series took me into a different reality, as if I was watching her in a Hollywood movie, I felt a little rude like I was spying on her although I couldn’t quite pull my eyes away from her images. She’s a very beautiful woman and it’s easy to think that she belonged in the silver screen however it was fascinating to read about how she was trying to get across the message of being against the very thing she was portraying – creating an interesting double meaning.

Comparing her earlier works though to her more recent works you can see how her characters evolved into sheer exaggerations. This put me off a little, because I was so enthralled by her convincing world, I felt the exaggeration was just that – a little too much. I no longer believed that these people could exist instead I had no idea what to think, all I could think of was how fake these characters are yet this was another reflection Sherman obviously felt about society.

I’ve always admired Sherman’s courage something of which, I think, will continue to inspire me. It’s refreshing to read about an artist who isn’t caught up on thoughts and interpretations or writing extremely wordy essays about how complex their work is.

Quite recently I’ve found snippets from interviews which have only furthered my interest in her as an artist.

I feel I’m anonymous in my work. When I look at the pictures, I never see myself; they aren’t self-portraits. Sometimes I disappear.

This is really relevant to my work. I do use myself in all of my photos and I’ve never really thought of why; I’m not particularly vain nor am the modelling type, to be honest I couldn’t be any further from that.

Though using myself I never really view what I’m doing as an image of me, it’s quite difficult to explain what I mean here but I’ll try anyway, it’s as if I’m an actor and the resulting image is just like a film. I’m portraying characters, people that I think up or people that I have seen, it’s a sort of freedom because I’m not trapped by the idea of just producing a self-portrait. Another quote from Sherman which entirely backs up what I’m trying to say:

“Everyone thinks these are self-portraits but they aren’t meant to be. I just use myself as a model because I know I can push myself to extremes, make each shot as ugly or goofy or silly as possible.”


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Still here

I’m sorry that I haven’t posted in a while folks life has been a little hectic over the past week or so. In the next few posts I want to individually write about artists that have inspired me whilst making art works. I’ll make the posts artist by artist hopefully this will make the artists more concise and relevant.

For this introductory post then I would just like to talk about the process of finding artists and my thoughts in regards to artists in general. I think it’s a shame when people turn around and say “What’s the point in looking at someone else’s work?”

For me it’s the same reason why you read books if you’re a student of literature or why you listen to Bach if you’re a music student. It’s quite a therapeutic process when I’m looking for artists, normally I would leave an afternoon free wherein I get lost in the library and find some books or I start with a Google image search.

What’s therapeutic about the process is discovering artists who deal with the same thoughts and feelings as I do, it’s comforting to read about how artists became the artists that they are today, you can turn around and think “Wow someone else had the same thought as me” or “He deals with a lot of the same issues that I want to explore”. And that’s one of the most inspiring aspects of art: finding artists who inspire you.

Quite often being an artist is a lonely process mainly because most artists like to work on their own or work in the confines of their home where they feel the most confident. I prefer working in the university studio with other people around me, I used to love working at home stuck in my bedroom all day creating some grand masterpiece but you don’t learn a lot on your own and you most certainly don’t make the use of the spaces which are given to you.

I think I prefer working in the studio because it’s an artistic environment, there’s a little hustle and bustle, and most importantly there’s life. It’s quite strange to think about how people want to make art. I don’t think that art should be a torturous process, created by the lone ranger instead art should have its own life and growth. You should be able to talk to other people about your art work, you should try to answer someone’s questions about something you’re working on, you should enjoy spending time with other artists and communicate different thoughts and ideas. Well that’s what I think anyway.


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Where am I now?

(I want to give my blogs mini headings just so that I can keep on top of what I’m posting, you’ll notice that I do sometimes go off track and by doing this I will try and stay focused.)

The past two weeks have been a breakthrough for me and at this current point in time I’ve fallen back in love with art again. Last year I had a tough time figuring out who I am and why I want to make art work, for me the answer was always simple I just loved art but along the way I had forgotten that. I think that continuing to make work whilst feeling rather withdrawn and uninspired is what has inevitably allowed me to get through it. Art had become a chore for me and I thought to myself why I am looking at the same things time after time? How can someone like me, who was always told in education to leave art well alone, make some sort of life out of art?

Recently I’ve found the answer to all these questions and it is I’m afraid rather vague and slightly clichéd; Art isn’t a reason for me it isn’t an answer to all my questions. Instead, art is a feeling, something that I can’t live without and can’t stop doing.

So that is what got me to where I am today, my little epiphany has given me the old rush of needing to create work. And that’s what I’ve spent these past two weeks doing.

To keep you up to speed (and hopefully not too confused) my quest for beauty is still on-going. Last week I spoke with one of my tutors during a tutorial and I have to say I’m going to miss that bouncing inspiration between two artists when I graduate, thinking about it now I’d love to work in a space with artists once I leave university.

But I am straying from my focus, in this tutorial we spoke about me and my ideas. It was so refreshing to just say ideas that I had been turning over in my mind for weeks and you see I’m not particularly confident thus sometimes I find it difficult to say what I think. However, we talked about how I like to write in my spare time and how I could bring this in to my work which was very exciting to hear. So we thought and thought about it, we spoke of women writers like J.K Rowling and how certain writers (like Rowling) have a schedule that they have to stick to; so for example going to a coffee shop at a certain time and having a specific cup of tea. It was quite interesting to think about the process writers and artists undergo to produce work, we thought it would be interesting for me to write a schedule to stick too – perhaps invent a fictional one.

You see the mention of writers, I think, is really relevant when thinking about my work seeing as in my photos I create these characters so in effect I am doing a similar thing to writers.

By exploring beauty in its different forms I am creating people, people who resemble me but never look like me. The next step then would be to create a story for these different characters, tell you their lives, and make up their stories for them. By simply donning a wig and a set of different clothes I am a different person, I wouldn’t intentionally want to look or dress that way, which is a different way of interpreting my work. This led us to think about women writers who had to use as pseudonym just to get their wonderful stories published, like the Bronte sisters, I thought this too was an interesting approach. Perhaps I could invent a pseudonym for each person that I create?

At the moment I am sifting through ideas and as I approach the maximum post word count I realise that my ideas are becoming more concrete so for now I’ll leave you with this new train of thought and do some experiments. To the right of this post you’ll see the images that I had recently created which informed this tutorial.

I want to now research artists who perhaps invent a character for themselves, if you have any suggestions or comments I’d really appreciate it!


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Being Beautiful

Before I get started I would just like to quote an excerpt I wrote last semester based on my work and ideas.

?The core theme of my work seems to be the inability to understand our modern obsession with beauty. Being beautiful is something more strived for today than say getting a good job or having a family. People are now spending significant amounts of money to stay beautiful; the Hollywood attitude of our modern day celebrity culture runs rampant among the everyday person. I try to be neutral in my discovery of this supposed beauty, tackling gendered stereotypes whilst surprising the people who know me best.?

The very crux of my work seems to lie within my inability to understand how people can waste so much time on how they look. I use the word ?waste? rather loosely mostly because our very perception of outward being is crucial to everyone, myself included. So with this in mind I am trying to expose myself to this other way of thinking in an attempt to understand the way in which a lot of people think.

Personally, I have always been the kind of person who believes that if it takes more than ten minutes to do then it’s not worth losing light on. The daily rituals people undertake to remain beautiful are beyond befuddling; from layering skin cr


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