The typical street art imagery and reclaimed materials I have used seem to be more closely related to the subject matter than traditional oils and canvas. However, there is still some value in the traditional approach as I need to explore all aspects of realism. Reflecting back to one of my previous blogs, I had made reference to Kahinde Wiley and his distinct use of classic compositions where contemporary figures were given an equal value and status as the subjects of the originals paintings. As status and equality are important elements of my work, I aim to incorporate my traditional methods into my body of work as I feel that Wiley’s approach proves to be very effective and powerful. Saying that, I am not about to start painting people in homeless situations on horses but I do aim to treat them with the reverence of traditional portraiture. Having worked with both mediums (cardboard and canvas) I believe there is room for both without conflict. The combination of the two in one show could be very strong. I am about to test this by painting the same subject in oils on canvas and see how the two sit together.
Attached to this blog is an image of a canvas I had begun with this in mind, with some reference to Johnathon Yeo’s portrait work. After looking through Yeo’s catalogue I have developed a stronger interest in his independent work as it is bolder and holds more honesty than his commissioned portraiture. This element of honesty and personal conviction is something that I want to be present in my work.
See Image 3 > Independant work
See Image 4 > Commissioned work
