In ‘Mr. E’ I am inventing a head from tiny hybrid shapes. The head is disappearing and forming like an identity cocktail. This is my turbulent visual grammar – disturbing, compulsive and floral.
Another example is the alert reality envisaged in ‘Midnight Rambler’ a painting that captures the wild life – tribal, sophisticated and primordial.
‘Da Funk’ is titled after a Daft Punk song and in it is a couple of intertwining figures. The setting is an open room with windows showing the tropical fauna. The language is surreal and sexual, and draws parallels to the present; dismantled body parts colliding methodically showing dramatic human features. You can hear the scream of a mouth painted somewhere on the canvas where another figure inspires a joyous festival of paint. These juxtapositions of emotions, happy, fun, angry and calm; could present a dangerous vision or a continuous daydream.
‘Dacia’ the title of one of my largest pieces is named after the first Romanian settlement 100 years BC before the birth of Romania, my native country. The painting is composed of imagined archaic shapes, relics, fossils and hybrid forms that form an idea of the tribal and primitive.
