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Despite feeling miserable and demotivated now due to a nasty cough and cold, I feel like it’s been a productive week in the studio. I had my last tutorial on 11th October, and when asked what I would like to get out of this first term of third year, I said I wanted to break out of my comfort zone.

To give a little bit of context to my tutorials, which I will probably be writing about a fair amount, here’s a link to my tutor Virginia Verran’s interview with AN from about a year ago:www.a-n.co.uk/p/925162/

Judging from my experience of Virginia as a tutor from second year as well as this one, I have to say that she’s been a great help and source of inspiration to me. It’s strange though, being in awe of an artist and their work, and then walking across the beach in your wetsuit and having them shout hello to you!

Anyway, getting back to that first tutorial of the year- for me, “breaking out of my comfort zone” at the moment means allowing myself to paint in a looser, more intuitive way. I know that usually people have more of an issue bringing out their “formal” side, and I’m always being told by fellow students that they envy my patience and ability to work in such a systematic way. However, for me, working like this comes naturally, and it is the “abstract expressionist” side of me that is holding back! I don’t want to get to the degree show without having made work that has challenged me and in some ways scared me to make. Even if I somehow managed to get a First without changing the way I work, I would be disappointed in myself for not pushing my abilities as a painter.

I said this in more concise terms to Virginia, and we joked that next time we had a tutorial my space would be filled with big, energetic paintings. I’m pleased to say that this is on its way to coming true! I’m working on four small paintings and three larger ones, and though they’re still in progress, I feel like I am making an effort to challenge myself. Readers of this blog might look at the pictures and think they are as controlled as ever, but I can feel the difference in the way I’m approaching them… and I have to start somewhere!

Also, thank you to Richard Taylor for that last link about the exhibition in Lisbon- I’m sure it will come in very useful for my dissertation.


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Well, I’ve been back at uni for a few weeks now, and have ended up with a studio space I love, the personal tutor I was hoping for, and a very good dissertation tutor! Let’s hope this promising start sets the tone for the rest of the year.

As this is my first post on Degrees Unedited, I’m going to give an introduction to the way I’ve been working on my degree so far.

My main focuses are painting and drawing. I’m very interested in the theme of mapping, and through my work I’ve experimented with mapping negative space, memory, synaesthesia and sensory perception, amongst other things. Working with actual maps has been a preoccupation for the past couple of months, and I’m particularly keen to work with a juxtaposition between macrocosm and microcosm- that is, I’ve been combining aerial perspective with close-up drawings of things, to evoke a feeling of disorientation.

The drawing on tracing paper is one of several I’ve been making from satellite photographs. I layer these on top of one another to create compositions for my paintings.

The map square painting was made as part of a series by layering satellite drawings with negative space studies and paintings based on maps of shipping lanes.

The two larger map paintings were made at the end of my second year, and focus on similar themes.

The smaller study is one of a series I’ve made in preparation for paintings I’m working on at the moment. This year I want to really focus on creating dynamic and energetic compositions in my paintings.

And there you have it- a whistlestop tour of my world. Please feel free to comment with your thoughts or constructive criticism… and please stop by again soon!

Oh, and I have another blog…

http://islandsandcities.blogspot.com/

Take a look!


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