SWitCH
open
pre-e-e-ss
wwsh…wwsh…ding…wheee…dadada wwsh…wwshwwsh…dingding ding ding… click click-clicliclick- click click – clicliclicli wwsh
click
ding ding
click click
New
white
tap
little finger left press hold middle finger right tap M let go little finger left tap a middle finger left tap d pointing finger left tap r middle finger right tap i middle finger left tap d little finger right tap ‘ ring finger left tap s pointing fingr tap r rng fingr rght tap o lttle fingr lft tp a mddle fngr lft tp d rngfngr l tp s vrooooom ltl fngr l tp a pntng fngr r tp n mdl fngr l tp d screeeeCH ltl fngr l tp a pntng fngr r tp n mdl fngr l BEEEEEEEEP mdlfng r i ptfngr r n ptfg l c mdlfg r i ptfg l d mfg mfg l e ptf r n ptf r t rngf l s boom-daboom-da boom da boom da ltf r p ptf r h mdf l e rnf l w ltfg rt prs hold ltlfng lft tp ! let go
lttl fngr rt tp p mdl fngr lft tp e pntng fngr lft tap r pntng fngr rt tap h lttle fngr left tap a little fingr rght tap p ring finger left tap s ring finger right tap l middl finger right tap i pointing finger left tap f pointing finger left tap n middle finger left tap e middle finger left tap e middle finger left tap d ring finger left tap s middle finger right tap m ring finger right tap o pointing finger left tap r middle finger left tap e
tap
tap
S L O W
tap
click
click
click
ding
black
SWitCH
Erasmus Intensive Course on Digital Literature, University of Madrid, Spain
composing = textingshapesounds in definites un beginnings shadows in minds lie dormant for years (then past) others previously unknown searchingsearching until rise free (now past) everything contributes nothing wasted or wasteful a shape forms shifts restlessly continues flexing fluxing settles shakes moves on nothing plain to see until that single specific moment of presentation and then it flows on again spoken voice digital recordings spatiality movement energy pulses in>through>round>from potential is infinite shapes swimshoaling under any thing could happen
it does
it will
white landscapes horizon
horizon underscores culture
culture borders language
language choreographs mind
mind perceives place
place moves presence
presence speaks horizons
horizons lay down stillness
stillness movement flicks
flick
repeat
flick
flicks
momentum flick
moment POWERS
(flicktwistflick)
powerflick sings
(twistflextwistbreath)
singsbreathefluxBEING
(swshswshtwist
wait then)
beingDANCESbreathemusic
(flexbreathflickflex)
musicmetrespulsesBODY
(bre-breathswshflux)
body pulses rhythm rhythm
(fluxflexex breath) againagainagainagain
bluerhythmgreenrhythmforestrhythmsearhythm
BREATHrhythmBREBRE
BREATHrhythmBREBRE
BREATHrhythm
BREATHrhythmBREATHrhythmBREATHrhythm
PULSE
rhythm pulse rhythm pulse pulse
p-pulse
p-pulse
p-pulse
still
pulse
still
breath
calm
connectings
Repetition (Aomori Project), an evolving dance project linking Wales and Japan, conceived by Sioned Huws and performed with Reina Kimura, Chapter Arts Centre, Cardiff, 9 June 2012.
‘Aomori is at the Northern most tip of Honshu Island, with short summers and long arctic winters. Forests of blue-green, mountains of soft linear impressions, seas of deep navy. In winter, the repetitive, silent snowfall arrives. A landscape transformed. The heartbeat slows down; the body is overwhelmed by a desire to rest, to lay horizontally in this blanket of white.’ (Sioned Huws, choreographer and dancer)
continuings
… spaces are to be explored spaces lacks bounded by somethings not-beings becoming events surrounded by their silence shadows exist in wide open spaces (if some attention is paid) traverse re-travel map ignore overlook re-discover it is not possible to disregard the fatal intersection of time with space (Foucault 1967/1984)
time tick now ticking tick tick itself ticking to september’s solidity
hands freecatherinewheeling
digits flipflailingflick
threshing through infinite to blackhope of shape
m or ph M or pheus
explorations pour
end
ing
s
{sreniat on celbatius ot ni}
