Why did you come here ?
What do you want?
What do you want?
What do you want?
What do you want?
What are these decisions made on?
[ ] {Silence} ( )
‘sigh‘
multi-storied ebbsnflows constructed from breath and silence undermining melting mountains
up
clamber or sl
i
de
down
?
slices of spatiality occupying nothing but themselves –
taking up nothing (but their own time)
straddling insideoutside in at least two places all jumbling timeticktick
tumb
ling
In such a place, let’s walk. Rhythms help.
The same kind of ticket – though not the same ticket – may be used.
try to think in bubbles this time… bubbles floating up upup colourrising in sky
peep through fingers over screened eyes into something that separates something that brings together
walking walking walking unmappables through time and space
spaces spaces so important in knowing where to go
Count the multiplicity of options here! (then recount to be sure)
Surely you can see! Cannot it all be taken in in one short twenty-first century cram-packed glance?
Please, tap your fingers.
[behaviour, allegedly in the power of the individual, is fundamentally dictated by historical circumstances]
TAP YOUR FINGERS
language is
at best a mere-part
of the story
Erasmus Intensive Programme on Digital Literature, University of Madrid
