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Wi-Fi networks are popular in metropolitans around the world. Besides the infrastructures, Wi-Fi connection is available in blooming personal devices, including mobile phones, laptops, cameras and walkmans. Ubiquitous Wi-Fi machines construct peculiar urban landscapes. In the one hand, Wi-Fi access points create invisible signal landscapes; in the other hand, Wi-Fi notice boards and symbols constitute visible landscapes. In the invisible, the signals create connections among separate devices which are the extension of Wi-Fi users. The devices perform their function to satisfy users’ needs. Beyond tool, such as cars and airplanes, Wi-Fi devices immerse users in continuous Wi-Fi environments. In addition to invisible landscapes, users also live and act in visible Wi-Fi landscape. Users can see the Wi-Fi sticker on their devices and in fast food restaurants, pubs, cafe and telephone booths. More and more users go to the mentioned places for Wi-Fi not for sandwiches and coffee. The behaviour made Wi-Fi users becoming the part of urban Wi-Fi landscapes. In advance, Wi-Fi users are the flesh and blood part of Wi-Fi networks. The combination of Wi-Fi networks and human bodies transforms Wi-Fi users as cyborg, cybernetic organism.

Wi-Fi cyborg blurs the boundary of human/machine, subjective/objective, central/peripheral, technology/culture, dominant/dominated and imagination/embodiment. Users connect to the Internet via their devices and Wi-Fi access points. However, Wi-Fi devices also connect to different Wi-Fi access points to expand their networks by human’s move. Human may not be the dominant/subject and devices may not be the dominated/object. Wi-Fi access points seem the center of Wi-Fi networks but moving cyborg could be the center of multiple networks. Wi-Fi cyborgs move according to their daily life and the diverse routes from cyborgs create their cultures. Wi-Fi cyborgs seems the fictive imagination but they are embodied in users’ behaviours and prevailing Wi-Fi devices.

My artworks were inspired by Taipei Wi-Fi plan and proceeded in other four cities, including London, New York, Chicago and Hong Kong. I collect BSSIDs by myself and record my routes. BSSIDs, dates and routes constitute my artworks. To create artworks to express the obscure borders, I chose colour chart on webpage as the media. Colour is both of human and machine. In human societies, colours have their cultural and spiritual meaning; for machine, colours are sets of numbers and alphabets. Besides colours, a series of chart could be the beginning and the end. Webpage is the popular media to embody the imagination, especially dynamic pages. PHP, a script language, was employed to create my colour chart artworks. These artworks present the blurred boundaries and argue cyborgs have their cognition to perceive their urban Wi-Fi landscapes


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we can not see the social relation in Wi-Fi networks, so we depict invisible relations by converting wi-fi ap into colours. It is like metaphor while we understand some intangible concepts and relationships via tangible things. it is art and nothing can replace artwork. inspired by alain badiou


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In Alain Badiou’s lecture “Speaking the Unspeakable”, he said “the goal of Monet is to directly inscribe on the artificial surface of the painting the light and colours as the process of division of light. But light and its division does not exist at the surface of water … So Monet has to force the painting to express the inexistent, the inexistent which is not things in light, but light as a thing … and finally when we see the painting we understand that it’s not really light as a thing, it’s the impossibility of something like that. But this failure is the victory of painting. This failure is the glory of painting as such”(http://www.cosmosandhistory.org/index.php/journal/article/view/38/76).

I can’t understand his opinion well. Did he want to express painting has its unchangeable features so painting own its special position in art?


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