University of Plymouth

This will be my last post here – THE GRAND FINALE (the opening of my degree show) was last Friday and I have spent the last week oscillating between relief at having finished and sadness that it has finally come to an end. I started this degree 7 years ago – a 6 year part time course with one year out when I moved from Leeds down to Plymouth. It has become part of my life so the transition to not studying will be strange – I have it in the back of my mind to maybe do an MA in a couple of years (am i mad?) – we’ll see – but for now I am keen to get my art practice established – I will miss the feedback and support of my peers and tutors, the group and individual tutorials and hope I can find some kind of substitute structure. Writing a blog has been really valuable and rewarding and so I will be moving over to Artist’s Talking to continue this as part of my practice – as this is my last post on Degrees Unedited I would like to thank everyone who has commented especially Richard who has given me ‘food for thought’ on several occasions.

My degree show was an installation which I titled ‘It hung over the bed’ – a forensic investigation. I presented the scraped painting on an easel with a magnifying glass/lamp. I included a work table of tools and instruments, a chair with white coat, a shelf with a collection of the residue pigment in 6 glass bottles and fragments from the framing. It also included a wall of photographs, details of the painting and I think this was the weakest part of the installation. I made 50 paper boats and placed one of my business cards in each one for visitors to take away. The blog book of the artist collaboration was displayed with my professional portfolio.

On reflection I think my degree show was too busy and that I needed to edit it even more – but this will give me something to think about in terms of how I present this work in the future – I don’t feel I have quite finished with it yet………………..

The Countdown

The technician has finished changing my space – the window has gone and the wall exposed

The slide projection will go behind the partition – that light has to go!!

Paul, a 2nd year student helper has made a lovely job of boxing in the radiator so I now have an extra shelf for ???………..it’s exciting to wonder how my installation will fit in the new space.

I have been busy up and down the ladder filling gaps in the boards and between the walls and ceiling and I’m exhausted! Then there’s the painting!

I was so surprised and happy to receive one of the runner up prizes for writing this blog – I hadn’t even realised there was a competition. So a big thank you to A.N and to Great Art.

Now it’s the countdown to the degree show. Today I moved into the space I’ve been allocated and have 2 weeks to get the space looking like I want it – which entails some building of partitions, blocking the window, making a narrower entrance and painting etc. the one technician has 77 students all wanting some kind of work done and all I can do is wait in the queue – meantime getting on with filling the space between the ceiling and wall and polyfilling and painting the back and right hand wall. I don’t think I will be able to start thinking about the installation until the beginning of next week. Our assessment is 6-8 June but there is a 4 day holiday weekend prior to that when no university help is available so we’ve been told it’s better to think of the deadline as Friday 1 June!

I’m feeling more chilled tonight because I’ve ticked 2 things off my to do list:

My professional portfolio is finished – although I have a website I’ve taken this opportunity to make a book of my work during the past 6 years – actually I started the degree course 7 years ago but took a year out when I moved down to the south west and went travelling in Australia – so this degree has become part of my life and it will seem very strange to have finished it!

I have made an 18 min video as part of my installation and today I got the media technician to help me loop it on a DVD so it will just constantly play during the exhibition – I’m glad I got help as it was really techie stuff in Final Cut and some compression software – It all went over my head!

I intend recording the preparation process during the next 2 weeks here on my blog as it will really help with the self evaluation we have to write for the assessment

So all in all a good start and a good day!

The catalogue for the degree show is being collated by Tom Smith – the student decision was to make a book in postcard format with a 50-100 word statement on the back – the postcards will form the catalogue and perforated on the side so they can be removed. I have chosen this image for my postcard with the following statement

‘It starts with embarrassment and ends with hope’

A forensic investigation of an oil painting I made 50 years ago!

I am a collector of ‘seemingly’ mundane found or discarded objects’, that hold a personal fascination. My artistic practice often feels like a search into the past in order to create associations that illuminate the present. I examine these objects through drawing, printmaking, photography, projection, and installation. The processes and materials that I use are chosen for their strength to convey a message, and as a catalyst for igniting debate’

I have included my website and blog address.

‘it starts with embarrassment and ends with hope’

I’ve just been watching Damien Hirst ‘The First Look’ on TV – an interview about his forthcoming exhibition at Tate Modern and I’ve pinched (in the spirit of his art) this quote about his show, for my degree show project ‘Painting in the attic’, in June. I’ve been scraping away more paint, filming myself working, taking samples, collecting relevant information and thinking about the presentation of this ‘forensic investigation’. Last week I had the opportunity to book a space for 4 days at at the university studios in Royal William Yard, Plymouth. My tutor, Phil Power, held a seminar for the group on Wednesday and I got some excellent positive feedback.

I set up the space with a trestle table, a working space with my tools for scraping and examinging the painting which includes a microscope and slides. An easel with the 50 year old oil painting undergoing a removal of the oil pigment and a magnifying lamp.

On the floor was the original frame and a ‘contemporary’ response to the work – overlaid monotype prints, 6 mirror tiles and a paper boat made from a used envelope – this response to the original painting was as if it had fallen out from the original frame and remade itself 50 years later with the work I am now involved in – it was a spontaneous response while working in the space and trying out my ideas for the installation. The rest of the paper boats (50 in total) I have been making were huddled in the corner rather like a safe harbour! Not sure what to make of this as it took me by surprise when I placed them there.

On the opposite wall I put up a shelf of test tubes and perspex boxes containing fragments and pigment scrapings – I intend classifying these and labelling them for viewers to make sense of – only they probably won’t make much sense (only to me!)

Finally I projected a film of me working on the painting on the wall to the right of the easel painting. The sound was the most interesting – a perpetual loud scraping noise – one of my tutors has suggested I concentrate on presenting only the sound and not the projected images – so more work to do as I don’t know much about sound installation.

I feel a lot less anxious now I’ve tried out my ideas – it was really exhilarating to get them out of my head and into a concrete, visual form.