Sometimes walking as an art practice leaves me lost with a sense that I have nothing to show. When I emphasise the location of the art as being in the experience of the walk, I find myself simultaneously resisting and craving tangibility. The blog might grapple with this dilemma and perhaps it will serve to make something subtly visible, both to myself and others.
In September 2019 I began a one year research masters at the Royal College of Art. The course was sliced in half by the pandemic, and my final project ‘Experiments with the edges of walking’ emerged out of the challenge to re-imagine a participatory practice in the context of human-to-human distancing.
It became apparent during periods of lockdown that walking offered a unique space of possibility. Previous works where I had facilitated simultaneous walks in different locations (e.g. If the cloud allows) took on an unanticipated significance, as if influenced by something yet to happen! The development of profound connections between people from a distance became interweaved with attempts to blur our human edges and acknowledge non-human agency.
The research embraced all meanings of edge: outer boundary, advantage, blade, almost. The walking experiments offered a container for a fluidity of enquiry where the unexpected was invited in and the linear processes of research and walking were disrupted.
I had shifted from walking as antidote, to exploring how our digital devices could mediate connection without defining it or stealing our attention. It has been a recurring pattern in my practice to pull away from the screen and find myself making work out of the inevitability of being pulled back in. The last year generated a most extreme version of this tug of war, with my previous tussles serving as a novice training ground.
I completed the MRes in October 2020 and during the following 6 months have taken a sceptical embrace of the enforced digital environment including an international online residency (A Glass Envelope), workshops for humans and plant guests, a collaborative audio walk linking Iraq and the UK and the start of a series of 52 weekly simultaneous walks without edges.