I did do a lot of filming in my last weeks in Berlin. Now I am home in London I will have to spend some dark winter nights looking through all the footage to see what I can do with it. In the end I experimentally tried cycling down the runway at Templehof with the camera running? Whether this will actually deliver any reasonable footage waites to be seen.
I also made films of people traversing the long axis at Templhof and at Sans Soucci. Also I took a lot of film of people passing through mirrored rooms at Charlottenburg Palace.
Now for 2 weeks I have been making a whirlwind tour of Germany, Leipzig, Dresden, Bavaria and lastly Kassel for the Documenta. It is all a bit mind boggling really. Just so much to digest, on top of all the time spent in Berlin.
However, my studio sublet moved out yesterday so I am heading down to my own space shortly. But how to begin there, will I resolve older work first, or should I begin by reviewing Berlin work. Resolving old work while the German experience settles would seem to be the most sensible course, but I have to get out all the large scale drawings that have been rolled up in the car for 2 weeks. What do they really represent, just thinking aloud, or do they have value in their own right. Exiting problems to have.