You know the feeling when you get an idea in your head about something you have the urge to create at 3 am, but no idea how to physically accomplish it? I needed to have more space on the canvas, and the canvas itself needed to be circular to strengthen the infinite energy flow of the fire and water that created the work. The question was how to find a way to position myself underneath or at an angle to the paper whilst leaving my hands free to draw with open flame.
The choice of a circle was of fundamental importance. The circle represents unity, a return to the beginning, an ever-eclipsing journey. In creative terms, it provides soft edges, curves, and gentle lines. The elemental use of fire and water combined with the holistic energy of the circle provides a backdrop for meditative mindful mark-making with no preconceived ideas. The size promotes freedom of movement and less restriction to creative flow.
So how to achieve this physically? My first thought was that I need to find a way to suspend the canvas from above. Unfortunately, not having the luxury of a dedicated studio space at home this involved security a ceiling hook, and chains in the bedroom! Secondly, sourcing a circular frame in the form of a large faux cartwheel randomly found online. Finally, the biggest roll of paper I could acquire, a selection of candles and burning implements with which to experiment, and a spray bottle of water for emergencies.
I deliberately gave myself no preconceived image to achieve and simply allowed my unconscious to manifest at will, resulting in a visual of a large gnarly smoking tree. I have always had a strong affinity with trees and their energy aligns with that o the elemental forces of fire and water so it was interesting that such an image was called forth.
As a first experiment, with a little obscure engineering, I was able to achieve the first steps to future practice. Watch this space.
