Chaos and order in visual art – synopsis
Aims of writing this:
- Clarify the context I’m working in.
- Aim to work more into and out of my practice with reflective journal writing and linking my work with wider culture.
- Consider what is NOT shown in my art (compared to other artists) i.e. what am I still holding back?
- Control and influence (being influenced by environment v’s controlling it)
From ‘writing on the wall’ by Simon Morley.
‘The word and image are one.’ Hugo Ball 1915
Looking at the image / word threshold… Are images more pure than words? Marlene Dumas thinks not:
‘I can see why many visual artists dislike words in artworks. They feel that words dirty the clear water that has reflected the sky. It disturbs the pleasure of the silent image, the freedom from history, the beauty of nameless form.
I want to name our pains.
I want to keep our names.
I know that neither images nor words can escape the drunkenness and longing caused by the turning world.
Words and images drink the same wine.
There is no purity to protect.’
What I’m looking at is the boundary between chaotic unrestrained art and orderly art, considering its appearance alongside the artists’ way of working and intention. Art that is strict and planned, and art that is intuitive. I’m trying to figure out how some artists who are very intuitive produce incredibly neat work. It’s something I don’t understand. Alison Neal’s work often stems from the sea, re-examining myths and legends; the Odyssey. Lexi Strauss produces highly considered pieces, but not necessarily ordered or chaotic. I am over simplifying. Lexi’s interest in vulnerability, and recently giving normally mute paintings a voice (something I’ve considered more recently due to describing my interaction in painting and text with as a visual opera). It is the way I have been describing my painting-writing process and result as being like an opera – with music (abstract) being akin to my intuitive painting) and having words/writing which you may or may not understand.
Regarding combining my visual work and my reflection on it in the form of song – it’s not because I feel my work needs a voice… it’s more that my work is more about how I am describing my work to other artists and my conversations with people about it. The conversations and debate around my work are as much the work as the physical object. How I have a story (short) to tell about each work. My singing of my PaperFields blog entry has revealed a new possibility which I am tempted to follow as I’m interested to put my words about my process of working into song and pair it with the work I’m singing about. Work on display and headphones available to hear about the piece through my thinking in song form. Not sure why I’m drawn to the song format, rather than speaking.
In this writing I need to cover which art I consider chaotic and which ordered and then unpick my reasoning and assumptions to reveal whether there is a better way of describing the art making process and results. For each artist I consider, to what extent do they react to their environment (local or wider) and / or control it?
List artists whose work I consider chaotic and why:
- Jackson Pollock
- Cornelia Parker
- Cy Twombly
- Paul Klee due to his work flow and his varied subject matter
- Tracey Emin
- My own and I’m inflicting order a little with the grid currently
List artists whose work I consider orderly (control) and why:
- Bridget Riley
- Pier Mondrian
- Pablo Picasso as he focussed on one thing > people
- Alex Weaver (http://alexanderweaverart.tumblr.com/) for same reason as Picasso
- JMW Turner as he focussed on one thing > landscapes
- Damien Hirst due to his forward planning
- Francesca Woodman due to her consistent format and line of enquiry
