Page 2 – a-n The Artists Information Company

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Day 5.

The Forest studio is perfectly set up here. The studio come living room also houses the cooking facilities so I can rack my brain, type, draw, make, wash and sleep without taking to many steps at all. While this is a welcomed rest for my body, it makes me realise how much extra mental and physical energy is taken up by navigating a city centre to do all of those things at home. This place invites focus.

Having enjoyed inhabiting the studio/living quarters combination at the SVA Forest studio, I decided to go outside for the first time in 2 days. I needed supplies and thought it might be a good idea to see some of the surrounding area.

I went to Faversham to browse the market.

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Day 4.

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Day 3.

Today I began compiling a list of names of artists who have utilised welding processes in their work. I will work through it accordingly, researching the the role of welding within their practices.

I spent a long time looking for information about Ibram Lassaw and trying to locate his work in the UK. So far I have been unsuccessful.

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Day 2.

Acclimatising to the new surroundings in more ways than one.

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Nicola Ellis

Nicola Ellis is a British visual artist based in Manchester, who explores the question of who values what—and why—in different contexts. Her work examines how information, tradition, and legacy are passed on and translated through materials, systems, and the people who work within them. Ellis works with materials sourced from places of industry, scientific research, and public institutions; therefore, her sculptures, drawings, and digital artworks often intercept and expand existing material cycles. Her work simultaneously celebrates the connections and distinctions between different contexts at specific points in time. Since 2018, Ellis has developed a long-term relationship with Ritherdon & Co. Ltd, a manufacturer of steel enclosures based in Darwen, Lancashire. The success of this residency led to the two-year Arts Council England-funded placement “Return to Ritherdon,” which resulted in an unprecedented invitation to remain in residence indefinitely. Ellis will continue to observe, participate in, and occasionally disrupt the ecosystem of the factory while working alongside—and in collaboration with—the Ritherdon workforce. Ellis is a member of Para-lab Manchester, a group of artists and material scientists interested in cooperation and collaboration, based in Greater Manchester and Yorkshire. She is also a member of Incidental Unit, the current iteration of the Artist Placement Group. The Incidental Unit draws out key ideas, methods, processes, and rationales for maintaining the independent and critical work of artists and curators, connecting the historical legacy of APG with the complex nature of social practice today. Incidental Unit In recent years, Ellis’s work has been acquired by private and national public collections, including the Government Art Collection and the Arts Council Collection. She is the recipient of a Henry Moore Foundation Artist Award, a Henry Moore Artist Research Fellowship, and several Arts Council England grants to support the development of her work. Most recently, Ellis was awarded Horizon Europe funding by Better Factory to participate in an eighteen-month “Knowledge Transfer Experiment” in collaboration with Ritherdon & Co. Ltd and technology provider Digiotouch. This project developed new technology and infrastructure to support the integration of robotics into a small factory floor, reduce waste, and expand the Ritherdon product portfolio to achieve lot-size-one production of bespoke powder coating finishes.

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You must not leave inorganic material in the forest.

Nicola Ellis