I made these small works last week. They are acrylic and pen on canvas scraps pasted onto a cardboard backing. Their subject is painting, concrete and the natural world. We continue to build up and concrete over the environement – […]
my most recent work has consisted of a square format as has most of my work in this course. my most recent works however are a square peice of patterned mostly dated patterened paper, with old family images on. some […]
i have been looking at Christian Boltanski, his themes like memory, life and death and the instability of existense is something that greatly interests me and inspires me with my work, and are themes thati have always worked with. Gymnasium […]
This painting was made today – it is inspired by one of the photographs that I took during a visit to Orford Ness earlier in the year when I walked round the place. I wanted to capture the sense of […]
Tried to bite the bullet today and make a start on framing my canvases. Woodwork is not really my thing and never has been so I was a bit apprehensive to do the first saw cut. I have the wood […]
I’ve starting looking into why I keep going back to the photos where I am in the bath. So ive come up with a few key points… -Throughout horror film history, women are commonly used as a target of victimisation. […]
Documenting the research and production process for ACE funded project Cicatrix – the scar of a healed wound www.cicatrix.co.uk Follow us on Twitter https://twitter.com/cicatrixart and on Facebook https://www.facebook.com/pages/Cicatrix/6444299956…
Provides a historical context within the Paying Artists campaign of the Payment to Artists for Exhibition of Work scheme implemented by the Arts Council of Great Britain in 1979.
The shortlist has been announced for the annual prize promoting the work of recent graduates from UK art schools.
Edinburgh-based artist Catharine Davison has been awarded the £15,000 Lynn Painter-Stainers Prize for representational painting.
Provides a historical context of the Payment to Artists for Exhibition of Work scheme implemented by the (then) Arts Council of Great Britain in 1979.
Leyden Gallery, London
5 February – 8 March 2014
The Sunday Painter, London
2 – 30 March 2014
Fine art ba (hons)
MAKING A CASE Newcastle: being in the right place. rural locations. affecting/effecting change. engaging in research. policy development. rural development. evidence what I am doing. the impact of my work. make a case for artists working in the rural social […]
Some ideas i found in The Subversive Stitch, that i feel i Can relate too and understand somewhat within my own practice. 1. Craft is art because it, undoubtedly, a cultural practice involving iconography, style and a social function. I […]
→ continued from above A lot of funny anecdotes exist about my great-aunts, with a patronising bias, rendering them slightly ridiculous, even tragic figures, partly because they were spinsters, partly because their peculiar habits and idiosyncrasies now seem odd, and […]
After-the-fact – and proof that I’m slowly reviving – greetings from an outing across the river, across time, across the pain-limit (consequence), across the pleasure-threshold (immediate), all imbued with the sweetness of motion and possibility (momentary), long awaited, planned for, […]
Alison Berry & Sonia Griffin: Developing further our interest in communication and language, we have produced a projected digital image with Ruth Payne’s work forming the tower of Babel and Val Bolsover’s work creating radio type signals radiating outwards through […]
Alison Berry: As well as thinking about and executing specific work for the paper project, I spend a great deal of time thinking in more general terms about collaborative working in the art world, the difficulties it presents and the […]
After deliberating on my work with my peers i have come to a new relisation about what i am doing in the coming weeks. At the moment though i have realized a new purpose for my sculpture. I have not […]
