Page 150 – a-n The Artists Information Company
WHY GREEN??
Why green? was a question put by one of my peers towards my paintings. At first I thought nothing of it, but then, I realised that I myself want to know why green and what does green hide in different […]
Remembering
I looked through my sketchbooks from Saturday and remembered the people I drew. I leave it a day to revisit my work. Paul Hogarth wouldn’t look at his drawings for three days after making them. A good practice, I think. […]
Pathways: Helen Riddle, Jim Souper, Helen Thomas, Tony Wade
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Archive
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Venue:
Makey Wakey space -
Date:
November 24, 2021 at 05:00 PM -
Location:
Yorkshire
Preparing for the Bishops Stortford Art Society Exhibition
It’s nearly time for the upcoming Bishops Stortford Art Society Exhibition, we are setting up tomorrow morning and opening on Tuesday. This painting “A Whispered Promise” is now ready and prepped for the event, we hope to see some of […]
Life Drawings Inspired by Egon Schiele
The latest online life drawing session run by Gary Long at the School of Painting, St Ives was a real treat! The model was dressed and posed in the style of some of Egon Schiele’s clothed models, a true privilege. Gary Long introduced me […]
Anne Krinsky: Wetlands Shifting Shorelines on Worthing Seafront
An a-n Artist Bursary funded my research into vulnerable South Coast wetlands.
Call for Artists to take part in Re/Defining Abstraction MFA research project
Working in abstraction often makes meaning more difficult to explain in terms of its literal presentation, use of material, and the representation of ‘something’. These challenges, coupled with the limits of human perception, are fascinating and this project seeks to […]
Re/Defining Abstraction
Research Project for final project for my MFA at Nottingham Trent University
Anne Krinsky: Wetlands Shifting Shorelines, Outdoors on the Worthing Seafront
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Archive
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Venue:
Worthing Seafront Gallery -
From:
November 14, 2021 -
To:
April 28, 2022 -
Location:
East England
Mindmap
One major piece of feedback that I have had from my tutorials, has all been to get everything that’s in my head about my project (all of my tasks, people to talk to etc) onto paper, so I have finally […]
Artists Drop In: Developing your Creative Practice
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Archive
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Venue:
Online -
Date:
November 19, 2021 at 12:30 PM -
Location:
The Internet
Sour-Puss: The Opera | Pre-Launch Party
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Archive
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Venue:
Vout-O-Reenee’s -
From:
November 13, 2021 -
To:
November 20, 2021 -
Location:
London
On the road
I made a long journey over these last few days and my drawing was, inevitably, restricted to the faces and bodies that shared those brief pitstops at motorways services with me. They are bleak places, particularly in the early mornings. […]
I feel good
It is rare that I feel good about making funding applications. The process usually leaves me feeling inadequate to say the least. As I approach submitting my application for next year’s artists’ awards I feel if not confident (that would […]
Roelof Bakker – The Spots That Never Went
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Archive
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Venue:
Photofusion, Brixton -
From:
November 13, 2021 -
To:
December 03, 2021 -
Location:
London
Sorbus Pseudomeinichii
This image is the current progress that I have made on my drawing of the Catacol Whitebeam drawing. There are, of course, a few teething problems with getting back into using the pen and ink method again, such as the […]
Ephemeral
Looking at sea glass and pebbles and wondering whether to experiment with something that changes quicker into another form. If we look at sea glass and pebbles they get worn down over a long period of time but with leaves, […]
Drawing the Catacol Whitebeam or Sorbus Pseudomeinichii
I am very conscious of the fact that all of my drawings take a very long time to complete, due to the highly detailed nature of them, and that my output of work does need to increase somewhat, if I […]
Something To Do With Art – Karen Frances Eng
Karen Eng is a writer and artist who works in both analogue and digital media. She has experimented with VR, blockchain and NFTs, and is especially interested in art as a catalyst for innovation, cooperation and creating communities. My conversation […]
Burnt Orange
I think its Beech Trees that have this burnt orange glow that produces an immersive overall effect that is very powerful. I have been walking in the woods a lot recently with the colours getting richer by the day, where […]
Michael Henley – Descended
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Archive
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Venue:
The Muse Gallery -
From:
December 02, 2021 -
To:
December 15, 2021 -
Location:
London
tutorial with Ann-Marie James
On the 3rd of November, I had the chance to have a tutorial with an artist Ann-Marie James. The possibility to have a tutorial with another artist than my lecturers was really helpful as getting a fresh view on my […]
The market place
Cool water. Reflective, impenetrable. It reluctantly catches the limpid light. But I can still feel the cold seeping, creeping. The rats. They gather together by the banks. Trembling amongst the paper cups and crisp packets. Sheltered from the damp of […]
D’Artagnan
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Archive
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Venue:
Jeannie Avent Gallery -
From:
November 18, 2021 -
To:
November 30, 2021 -
Location:
London