So what is Q-Art? Q-Art currently borrows from main format of teaching used in most art schools, the ‘crit’. It invites students, graduates of all levels/ courses and anyone at all with an interest in art to take part. We […]
Why is it that when I was doing my degree, I felt my photographic practice was justified and I could pursue any idea that I wished without questioning its validity or wondering if I was exploiting my subjects. Everyone seemed […]
Well its 2010 and here I am again. I have just re-read my blog. What a strange feeling – mine but not mine, and somehow it all seems such a while ago. I hadn’t really intended to restart the blog […]
Finally back in studio to actually make stuff, rather than rushing in to print off a couple of things, grab some books and get back home to continue writing. The MA dissertation is finally finished, and although it’s nearly killed […]
Please see my blog: http://extremewavetheory.blogspot.com/
Blog post for the continuation of the Museum projectAPPARENTLY SOMETHEING TO DO WITH CIRCULATORY FLOW ((-according to a friend who used to work with circulatory flow-)) So I already have pictures that have been formatted in to squares with blank-black […]
My logic led me to make an application for part time work in an arts organisation … get paid for doing what I know about, offer what I could in time and skills, support the aims etc etc … and […]
Two images from both the exterior and the interior put together – I guess that this is some sort of exercise in looking how things can be constructed and displayed in the end of things. Or the beginning of things. […]
Body Talks (1/2) I feel like I’m currently running for a train I’ll never manage to catch! I’ve started to work on Body Talks nearly 3 weeks ago and in all logic I should have started to blog about it […]
Body Talks (2/2) This time around I’m struggling with the meaning of the project itself. It seems to do all with the description of my original ideas. When I filled the application I wrote a quick brief about exploring the […]
Reflections on reflections and relationships Over the last week I’ve watched (or listened to) this lecture by Helen Fisher a couple of times… http://www.ted.com/talks/helen_fisher_tells_us_why_we_love_cheat.html It isn’t immediately related to my work, but does address much of what I’ve been thinking […]
Amy said the P.V. went really well, with over 150 people visting. I’m thinking about carrying on the project to make a huge forest with several paths leading into it. Although I was happy with the results I was shocked […]
I’ve been working on some collaged work made from print work and old experimental work. www.a-n.co.uk/p/569717/ I’ve spent a fortune this week on framing, bubble wrap, glue and fire resistant spray. But it’ll be worth it, we’ll just have to […]
The project at the Market Estate is beginning to get underway and even with a month still to go before the opening there is already excitement in the air! Higgins, the contracting company, is sponsoring the event and has agreed […]
Mid-point has been and gone and now all I feel myself doing is writing and researching rather than making; I am seriously considering which is best. My brain power feels phenomenal at this time yet I struggle to see what […]
I am plotting what to do about Danger. Specifically, an exhibition called Danger which will take place at the Rag Factory in Brick Lane (?) and which my friend Kate is curating. She has been kind enough to invite me […]
A RESEARCH AND DEVELOPMENT PROJECT CONCERNING THE INTERFACE BETWEEN ART AND SCIENCE RELATING TO SEA SURROUNDING SHETLAND. IT SEEKS TO MAKE DIRECT VISUAL ASSOCIATIONS BETWEEN OBSERVATIONAL AND EXPERIENTIAL FIELD WORK, NORWEGIAN MATHEMATICIANS AND SCIENTISTS RESEARCH ON EXTREME WAVE THEORY, AND […]
Re-titled Mind, Bodies & Thoughts, this blog’s angle has changed, storing some random thoughts related to ideas I’m working on & other (creative) events.
Tate Modern, London
4 February – 16 May 2010
Carolyn Corfield, 'Threads', Porcelain and Cotton, November 2009. Photo: Carolyn Corfield. Wall piece, 20cm torso, unglazed porcelain bound with cotton threads.
Kathrine Sandys, 'Hush House', Sound Installation. Photo: Kathrine Sandys.