Page 2877 – a-n The Artists Information Company

Don't miss a sec
Resource Archive News archive

Close to art

A new public sculpture by Monica Bonvicini mounted at London Institute is designed to question just how close can you get to art. Don’t miss a sec incorporates a cube structure made of one-way glass and a fully-functional prison toilet. […]

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Resource Archive News archive

On the wall

Fresh Art 2004, as advertised in the November issue, is now being replaced by a new show entitled On the wall, which will see a more inclusive selection strategy and a broader cross section of artworks. Artists participating will receive […]

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Live from one's art, a utopia?
Resource Archive Feature

By association

Isabella Oulton examines the current debates around the status of artists in France as raised at The First National Visual Artists’ Forum.

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Studio (Nadi)
Resource Archive Feature

Fieldworks

Diana Yeh reports from the ‘Fieldworks: Dialogues between Art and Anthropology’ symposium.

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Untitled
Resource Archive Feature

Creative learning curves

Jane Watt looks into professional development initiatives available to artists working in the public domain, in the fourth of the six-part series ‘Navigating Places’.

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Lightning Safe Jewellery - Claw Ring
Resource

Swarf

Stroud House Gallery, Stroud
1 November – 6 December

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Pavement Astronomer
Resource Archive Discussion

Editorial – 2004 January

We take this opportunity to thank the many artists who we’ve worked with over the past twelve months – as advisers and consultants, on the Networking Artists Networks initiative, and as presenters and trainers on our professional practice and artists’ […]

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Resource Archive Discussion

Cover images

I have often thought some of the pictures you choose for your front cover to be rather odd. The November image (John Goto’s Pasturelands) was no exception. The image raises no particular question other than why choose it? I think […]

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Handwoven lampshade
Resource Profile

Sam Atkins

Whilst sitting in my parent’s garden in the summer of 1996, I became mesmerised by the patterns created on the table by the light filtering through my father’s pint jug of beer.

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Resource Archive Discussion

Celebrating collaboration

It was refreshing to read Jane Watt’s account of the two successful collaborations between architects and artists in November’s a-n Magazine (Back to school). All too often it seems that artists have been roped in at the last minute to […]

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Resource Archive Discussion

Tramway

I read with shock about the threatened closure of the gallery at Glasgow’s Tramway (News, November a-n Magazine). As an artist based in the north west of England, I have regularly visited Glasgow specifically to see exhibitions at Tramway and […]

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Untitled #15
Resource Archive Feature

Trust in us

Libby Anson talks to Juan delGado and the Wellcome Trust about his residency.

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Monitoring of visual changes in landscape
Resource Archive Feature

The view from here

Henna Asikainen reports from the Fifth International Conference on Environmental Aesthetics.

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Confession Box
Resource Archive Feature

Arting Jerusalem

Scott Sherry reports from an artist-initiated festival of publicly-sited artworks.

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The Code of Practice for the Visual Arts - Artists
Resource Archive News archive

Code presented

Our ongoing programme of presentations and seminars to promote application of our new Code of Practice for the Visual Arts was launched at Fruitmarket Gallery’s ‘Scotland Now’ event, aimed at new graduates and professional artists, on 1 November. This was […]

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Resource Archive News archive

Christmas art pub quiz

As part of the Networking Artists Networks pilot in the north east of England, we’ve invited artist Louise Short to bring her famous art pub quiz to the region. It’s the perfect opportunity to take part in a fun, informal […]

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Resource Archive News archive

Explore Expand Exchange

Commissioning editor Brigid Howarth is co-director (with Ben Coode-Adams) of Artefact Projects. In collaboration with The Manchester Museum they have been developing a project that experiments with low cost, temporary and innovative solutions to the problems of gallery and museum […]

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