Phoenix Arts Association – a charitable organisation based in Brighton – provides studio space for over 100 artists and supports a gallery and education programme. It holds ten exhibitions a year, eight of which are selected from an open call. […]
Kelly Atkins, Purse, green felt-backed carpet with neoprene inside. Kelly recently took part in the Crafts Council Next Move scheme – an individually tailored programme of mentoring and networking. Look out for more Crafts Council opportunities in future issues. a-n […]
Rosie Leveton, The Bakery of Secrets, baked sugar and abattoir knives (detail), 2002. Rosie is a recent recipient of the Mark Tanner Award. Worth £4,000 the award supports an artist for one year culminating in an exhibition at Standpoint Gallery. […]
I work directly with wildlife and environments that surround me; my work comes from a place, rather than being about a place.
I make site- and project-specific architectural glass that I prefer to create through close collaboration with architectural design teams and the community.
Alicia Miller considers the relationship between artist and curator in collaborative projects.
Orleans House Gallery, Riverside, Twickenham
15 Feb – 4 May
Victoria Art Gallery, Bath
8 March – 27 April
The Gallery, Stratford Leisure and Visitor Centre, Stratford-upon-Avon
10-30 March
A Space, Southampton
14 March – 6 April
Jeffrey Charles Gallery, London
22 March – 19 April
A collaboration between Aavaa, Live Art Development Agency and artists, Documenting Live! is a profile-raising initiative for black and Asian live art in the UK. By revisiting and documenting key works, it aims to capture the essence of performance-based work […]
Designers are being urged to take advantage of a Europe-wide design registration law that came into force on 1 April 2003. By registering their work, designers are not only given a monopoly right to make, sell, distribute and licence their […]
Artsadmin has recently awarded £32,500 worth of bursaries to fourteen UK artists, as part of an much-needed support programme for artists who work in live art, performance, time-based media, installation or other innovative areas. The bursaries give artists time to […]
Wimbledon School of Art has announced its newly-formed partnership with University of Gloucestershire and Jerwood Charitable Foundation in delivery of the Jerwood Drawing Prize. Wimbledon School of Art’s Centre for Drawing has now become the prize’s administrative centre. Anita Taylor, […]
Two artists in Scotland have been awarded Scottish Arts Council Creative Scotland Awards in a scheme that provides £300,000 annually to artists with a proven track record who would benefit from support. Jim Buckley and Ian Hamilton Finlay each received […]
The New Deal for Musicians is to become a permanent policy following a three-year national pilot scheme. Costing around £9 million to set up and run between August 1999 and November 2002, the pilot involved over 10,500 people who met […]
The Bombay Sapphire Foundation has recently called for entries to the 2003 £20,000 prize for glass design. The prize is open to designers, architects and artists who work with glass or use it as a key design medium, based on […]
Devolution in the UK has hit this year’s Venice Biennale, with England, Scotland and Wales each having an independent presence there. This year, the British Pavilion will be showing the work of Chris Ofili; Scotland will be represented by Jim […]
Arts Depot, the new visual and performing arts centre in London’s North Finchley is on course to open in May 2004. In the run-up, photographer Thomas Claxton was commissioned to document work in progress on creating the venue that will […]
Helen Parrott considers the possibilities offered and some of the questions raised by the recent changes to arts funding systems in England and impending changes in Scotland.
Jessica Loseby searches the net and discovers what’s what and who’s who on the internet art scene.
Introduction to our resources on self-employment.
Maria Wilson shares her experience of working at Maesgwyn Special School as part of Opt for Art, a project funded by the Arts Council of Wales.
Phyllida Shaw explores the role of grant making trusts, foundations and charities.
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