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The rise of the Young Community Artist (yCa)
Artist/writer Emma Safe examines the role of community arts in urban regeneration and in creating social cohesion.
Page 2930 – a-n The Artists Information Company
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Community Arts Resources
A selection of UK organisations working in community arts to assist urban regeneration and social cohesion.
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The Art House
The Art House is a membership organisation for all artists, that addresses the issues faced by disabled people who wish to work in the visual arts and crafts. It aims to be a truly inclusive organisation giving artists the support they need, as individuals, to benefit from its activities. Director Liz Whitehouse describes how the organisation functions and what it has to offer.
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Beach project
I’d had the idea for 25 Pyramids in 1998. I’ve always been fascinated by the spaciousness, at low water, of Porthmeor Beach, St Ives, and wanted to try and come up with something that, if possible, could describe, or add […]
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Wander – commission for New Cancer Centre
I have recently completed a series of site-specific artworks at the new North Wales Cancer Centre in Bodelwyddan, near Rhyl. The £200,000 arts project was the initiative of Steve Brake, County Arts Officer for Denbighshire County Council and the project […]
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River Rocks
The River Lune Millennium Park occupies five miles or so upstream from Lancaster. It is a lovely salmon river, flowing through beautiful countryside. The project has involved improving footpaths and cycleways, installing lighting (very controversial with some locals), and commissioning […]
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Recipes for well-being
My work responds to specific sites and situations. The Northern Gallery for Contemporary Art is located on the top floor of a five-storey building that also houses the city library and local history studies section, a careers centre, an adult […]
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Thrill
The manipulation of everyday materials is a fundamental aspect of my approach to creating and thinking about my practice. I use materials that are familiar yet after a series of transformations appear unfamiliar. I am particularly interested in substances that […]
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New beginnings at Cockpit Arts
In the September 2000 issue of [a-n] MAGAZINE, Cockpit Arts advertised a post for their Education and Training Officer. Ten interviewees were chosen from thirty applicants, the successful candidate was artist and illustrator Kate Osborn.
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Profile
Shauna McMullan
The gradual loss of a sense of place (because we live for the most part nowadays in ‘in between’ or ‘virtual’ places), and the disorientation which arises as a consequence, are among the factors which have created an obsession within my work with topography, urban plans, and the printed word.
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Out of Place: Memory, Imagination and the City
What better symbol for a dysfunctional city than the lonely green of George Shaw’s deserted urban playing field? ‘Scenes from The Passion: The Goal Mouth’ is conversely so irreligious and dispassionate, painted in flat characterless enamel that the title can […]
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The Art of Relaxation
The Rope Store Gallery, Quay Arts Newport, Isle of Wight
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www.soundtoys.net
Shockwave is a fantasy term promising technological wizardry to all who download. Notwithstanding the limits of PCs, the tools available to artists, or of the pressure of time spent online, there could be a pot of gold at the end […]
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Nature Centre: Jenny Brownrigg
Nature Centre is the culmination of artist and writer Brownrigg’s residency at Grizedale last year. As well as her own writings in response to this particular Lakeland forest location, it includes the work of different visual artists-in-residence from the last […]
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Eight Days a Week
Various venues, Liverpool
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Distance yearning
It could be said that people who live in cities have a unique sense of distance in relation to space, tending to measure distance not only in terms of how far away something is, but also by how long it […]
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East London artists examined
Studio organisation Acme is behind a major project to investigate the socio-historical impact of the artist community in East London. A feasibility study now underway by design historian Sue Wilson aims to map the research process and establish the working […]
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Postmodernist papers invited
Performances from Jah Wobble and the Deep Space Band, Genesis P Orridge, Sakoba and Philip Zarrili and the Beckett Project will feature at an international conference running April 25-29. ‘Relocating the Sacred in Contemporary Performance Practice’ has been designed to […]
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Chelsea Award winners
Of the many awards presented at this year’s Chelsea Craft Fair, The Adrian Sassoon Award for the Arts of the Kiln is a new award set up to promote awareness of the crafts in British Museums. The award, made to […]
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Scotland endorses culture
The thrust of the first national cultural strategy for Scotland, published earlier this year, is an affirmation of the importance of culture and the major contribution it plays to the delivery of social justice and economic development. Put together by […]
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Independent art school conference
Not for the first time in the history of student activism, Kingston upon Hull became a centre for dialogue and debate about education. October saw the Independent Art School Conference, a two-day event organised by Pippa Koszerek, a third-year student […]
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Public Posting
John Newling discusses the collaboration, negotiation and patience involved in realising a major public art work for Birmingham’s Royal Mail building.
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Industrious liaisons
Ceramicist Taslim Martin describes his experiences of working with industry to realise two projects.
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Clay 2000: Ceramic Architectural Detail
Gareth Mason reports on a two-day event organised by Taslim Martin within his residency at South Hill Park Arts Centre, Bracknell that explored how the skills of studio practice can be applied to public-sited work.
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Switchspace
A recurring issue for artists is the constant search for a suitable space in which to work and exhibit. Artists have increasingly addressed this through improvisation and adaptability, to the point where spaces run by artist collectives have become almost synonymous with formerly disused (or unwanted) spaces. As Malcolm Dickson noted in his comment on artist-run spaces (October issue) – “The motivation now is more pragmatic by necessity, in that you just have to do it in order to get work shown (whether your own or other artists)”.