Made of other things
This heading is the one which seems to sum up the process. I am making something new out of other things. Every item we have is made of other things. The clothes I am wearing are made of natural or […]
This heading is the one which seems to sum up the process. I am making something new out of other things. Every item we have is made of other things. The clothes I am wearing are made of natural or […]
I started a comment to Elena’s blog and then realised I’d morphed into a new blog post on my own blog. So transferred here. BUT PLEASE READ ELENA”S THREADS BLOG FIRST before you read this comment. It’s a good blog […]
I have a collection of postcards built up over many years, of pictures which interest me. So I sort through them and pick out ones that seem connected to the embryonic ideas floating around my mind. Then I look at […]
I attended the Sculpture as Fieldwork conference at Leeds Art Gallery yesterday (Manchester School of Art / University of Huddersfield / Henry Moore Institute collaboration). The first speaker was Holly Corfield Carr who is interested in caves and writing in […]
for many years, I photograph each piece carefully so I have a record of it. The detachment of this process also helps me to think of them as objects and to consider which will be best suited to the ideas […]
I also spend time thinking about how to break them up. Grinding up ceramic had seemed a relatively simple proposition. Breaking up pieces of metal presents more of a challenge to someone with a primary practice of performance and photography.
So here are my artefacts, from which I have committed to make a new piece of work, by breaking them up to use as raw material. I read the letter to the artists that came with them and am a […]
Small Town Inertia by J A Mortram inspires hope at the Workers Gallery
Yesterday bad weather suspended the dig. Today I am sitting in the Art Hut waiting for the rain to stop. Even if I could stand the wind, the paper in my sketchbook will suffer in the rain. There is a […]
.brush they air the like light are and curling fingers – hair my of out cobwebs clearing like ,backwards hands my throw I Unsettling .neck her of back the on up stand hairs the and spine her down trickle Shivers […]
So I open my parcel, in some trepidation. I am very excited. It’s come all that way! What’s it going to be? It’s Priority Mail, very well wrapped and I can’t get in. There’s a letter to the artist, which […]
A dialogue with artist-writer Emma Cocker. Also as a spectator. She talked about leaning as sometimes a hard thing to do, especially for women. To be independent is to be strong, as good desirable and dependent as weak. But to […]
During July I’ll be concluding my AA2A residency at York St John University with three weeks in a big space to make new work alongside fellow AA2A artist Sue Mann.
I have my back to the paper-wall [wall-paper haha]. I organise my body in different ways so the arms operate behind me, behind my back and head.
At 51 degrees north – the latitude of Hestercombe House and Gardens – the speed at which the surface of the earth is moving through space is 652mph. I know this because for his earthwork Earth Spin #2: Hestercombe, Simon […]
Sophie Hope has started a new project on Mouthing Practices “exploring the sounds, speech, utterances and un-articulated moments in project meetings.” In dialogue there’s non-verbal communication that affects the dialogue when it happens face to face or in person. Sophie’s […]
This week’s selection includes exhibitions and events in Halifax, Stroud, London and Bridport – all taken from a-n’s busy Events section featuring shows and events posted by members.
Some interesting terminology diagrams form Failure of Participation : The second diagram infers that dialogical practice overlaps with relational and is politcal (defers to criticality) and the dialogical only exists in the realms of the political and not in […]
I finally managed to arrange a day to some printmaking with Fiona DeBulat at DBA Editions in Ramsgate. I’ve been wanting to push the printmaking further for a while now and felt I needed some guidance and nudging in the right […]
The museum near Cardiff was hailed as “one of the most welcoming and engaging museums anywhere in the UK” by Art Fund director and chair of judges Stephen Deuchar.