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Rachel Maclean discusses her Venice Biennale work Spite Your Face in this Q&A from May 2017.

Rachel Maclean considers national identity and how “artists can help establish a more critical vantage point on how we read and consume images”.

Bedwyr Williams considers the role of art and the main changes he’s experienced as an artist over the last 20 years.

Read the third set of conversations in our 40 Years 40 Artists series of interviews with artists who feature in a-n’s archive.

Dorothy Cross remembers the freedom and energy of the 1990s, travelling, meeting other artists and making ambitious site-specific work.

Gary Hume reflects on his successes during the 1990s and on being “prepared to risk my career for being an artist.”

Sotiris Kyriacou on a showcase of new British talent at the Venice Biennale including the work of Jane and Louise Wilson.

Jane and Louise Wilson discuss the start of their artistic collaboration in the 1990s, and how a-n is “an essential resource.”

Antony Gormley recalls the “exciting rollercoaster” of making work in the 1980s and his admiration for a-n’s “modesty and pragmatism”.

Richard Wilson considers his major sound and sculptural installation inside the Tyne Bridge and performing with Bow Gamelan Ensemble during the 1980s.