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Photo Russell Sach
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CORNUCOPIA

by Patricia Volk
‘ Cornucopia ’ a collection of forty one works of art created by Patricia Volk, a Wiltshire based sculptor opens to the public on monday at One Canada Square bringing to life three decades of dynamic sculpture that will challenge visitors to Canary Wharf to find their inner child as they interact with the vibrant coloured geometric shapes. Pictured: Sculptor Patricia Volk places ‘ Pieta & Taurus ’ a paint fired clay design in preparation for the opening of a retrospective of her work spanning three decades.©Russell Sach - 0771 882 6138
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by Chris Sharratt
Irene McAra-McWilliam, director of design innovation at the Glasgow School of Art. Pictured at the new GSA Highland Campus at the recently converted Blairs Steading on the Altyre Estate near Forres. Photo: Paul Campbell
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Barbara Walker

by Chris Sharratt
Artist Barbara Walker, pictured at the Diaspora Pavilion, Venice Biennale, 2017. Courtesy: the artist
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SLG_2

by Chris Sharratt
'Knock Knock', Installation view , South London Gallery (22 September – 18 November 2018). Pictured: The Cat Stays in the Picture (2010) by Rebecca Warren, Hand Drawn (1964) by Lynn Hershman Leeson and Untitled (2011-2015) by Amelie von Wulffen Photo: Andy Stagg
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SLG_1

by Chris Sharratt
'Knock Knock', Installation view , South London Gallery (22 September – 18 November 2018) Pictured: Campaign Volunteer (2018) by Rosemarie Trockel, Yves (2018) by Sarah Lucas and Biological Clock 2 (1995), Call Me (1987) and Seduction (1985) by Lynn Hershman Leeson. Photo: Andy Stagg
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Dorothy_Iannone

by Chris Sharratt
Dorothy Iannone, Wiggle Your Ass For Me, 1970, pictured at Frieze London 2017. Photo: Chris Sharratt
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White-Koan-007-1

by Chris Sharratt
Liliane Kijn, White Koan for Plymouth, pictured outside the Mead Gallery, Warwick Arts Centre, Coventry
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Gavin Wade Europa and the Bull portrait

by Chris Sharratt
Gavin Wade, pictured in front of billboard work, Europa and The Bull, 2014, based on Trewin Copplestone’s lost ‘Charging Bull’ 1963 public sculptures in Birmingham, taken down in 2003. Photo: Nathaniel Pitt
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Platform_Winner_2014

by Chris Sharratt
Platform Graduate Award winner Sophie Dixon, pictured with Peter Heslip, director of Visual Art, Arts Council England, and the Lord Mayor of Portsmouth. Picture:: Matt Ankers
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40 souls
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40 souls

by Karen MacGregor
Karen MacGregor, '40 souls', wool, fishing wire, 27th May 2014. Photo: Aydan Conway.

It feels so good to finally see these cubes on the wall and it is just how i pictured it. I am most pleased. Special thanks to Aydan for helping me.
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Sacrilege
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Sacrilege

by Anonymous

Jeremy Deller, Sacrilege, 2012. Pictured at Glasgow International 2012

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Karen MacGregor
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Karen MacGregor

by Karen MacGregor
'Karen MacGregor', Wool, thread and nails, Feb 2014. Photo: Karen MacGregor.

In this image i have pictured some of my hand made crochet cubes. These are to symbolise a few things about beagles in labatorys. The cube itself is to represent the cages they live in their whole lifes in, in solitary confinement. The colours of the cubes and the floppy, imperfect nature of the stuctures represent the beagles individual personalities that are removed and left outside the labatorys. Their identity is taken away from them the moment they arrive and from then on they are just known as a number. The number in question is tattooed on the inside of their ear.
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