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Alberta Whittle, deep dive (pause) uncoiling memory, 2022 Installation Shot Photographer Cristiano Corte, © Alberta Whittle. Courtesy the artist, Scotland + Venice & Forma London
Phyllida Barlow, installation view, ‘folly’, British Pavilion, 57th Venice Biennale, Italy, 2017. Courtesy the artist and Hauser & Wirth. Photo: Ruth Clark. © British Council
Paul Maheke, Seeking After the Fully Grown Dancer *deep within*, 2016-2018. Performance part of Meetings on Art, 58th Venice Biennale, 2019. Photo: Riccardo Banfi. Courtesy: Delfina Foundation and Arts Council England
Sean Edwards, Undo Things Done, installation view Santa Maria Ausiliatrice, Venice, 2019. Courtesy: Sean Edwards and Tanya Leighton, Berlin. Image: Jamie Woodley
Artist Sarah Kogan with her painting Aftershock, at Miniscule Venice 2019. Photo credit Vanya Balogh
Grayson Perry, Julie and Dave, 2015, wool, cotton, acrylic, polyester and silk tapestry. © Grayson Perry. Courtesy: the artist and Victoria Miro, London/Venice
James Richards, Migratory Motor Complex, six-channel audio installation, 2017. Commissioned by Wales in Venice for the 57th Venice Biennale. Copyright James Richards; Courtesy: Wales in Venice. Photo: Mark Blower
Cathy Wilkes
Untitled (detail), mixed media, dimensions variable, 2019.
Installation view, Cathy Wilkes, British Pavilion, Biennale Arte, Venice, 2019. Photo: Cristiano Corte © British Council;
Courtesy: the Artist, The Modern Institute/Toby Webster Ltd, Glasgow and Xavier Hufkens, Brussels.
Wagner and de Burca, Swinguerra, Brazil Pavilion, Venice Biennale 2019. Photo: Jack Hutchinson
Jantsankhorol Erdenebayar, 'A Temporality'. Mongolia Pavilion, Biennale Arte, Venice, 2019. Photo: Jack Hutchinson
Hwayeon Nam, Republic of Korea, installation view, Venice Biennale 2019
Shoplifter, Iceland Pavilion, Venice Biennale 2019. Photo: Jack Hutchinson
Arthur Jafa receives his Golden Lion award for best presentation at the International Exhibition, Venice Biennale 2019. Photo: Venice Biennale
Rugilė Barzdžiukaitė, Vaiva Grainytė and Lina Lapelytė, 'Sun & Sea (Marina)', an opera performance, Lithuanian Pavilion, Venice Biennale 2019. Photo: Andrej Vasilenko
Presentation of Golden Lion for best pavilion to Lithuania. Courtesy: Venice Biennale
Eva Rothschild, Spektor, 2019, Bronze, resin, fibreglass, spray paint Dimensions variable. @ Robert Glowacki. Part of The Shrinking Universe', Irish pavilion at the 2019 Venice Biennale.
Eva Rothschild, Drift, 2019
Concrete, steel, synthetic polymer paint Dimensions variable. @ Robert Glowacki. Part of The Shrinking Universe', Irish pavilion at the 2019 Venice Biennale.
Eva Rothschild, Amphi, 2019, resin, fibre glass, wood, spray paint Dimensions variable. @ Robert Glowacki.
Part of The Shrinking Universe', Irish pavilion at the 2019 Venice Biennale.
Eva Rothschild, Drift, 2019, Concrete, steel, synthetic polymer paint Dimensions variable. @ Robert Glowacki', part of The Shrinking Universe', Irish pavilion at the 2019 Venice Biennale.
The Elephant in the Room – Four Nocturnes (2019) Three-channel HD color video installation, 7.1 sound
Four Nocturnes is a new commission for the inaugural Ghana pavilion at the 58th International Art Exhibition of la Biennale di Venezia. Co-commissioned by the Ministry of Tourism, Arts and Culture of Ghana, Sharjah Art Foundation and Smoking Dogs Films with support from Lisson Gallery. Photo: David Levene
John Akomfrah. The Ghana Pavilion, curated by Nana Oforiatta Ayim and designed by David Adjaye, at the 58th Biennale di Venezia. Venice Biennale. Venice, Italy. Photograph by David Levene 6/5/19
Selasi Awusi Sosu
Glass Factory II (2019)
Three-channel colour and black-and-white video installation with glass bottles, stereo sound. 7’08”, 5’33”, 10’10”
Courtesy the artist. Photo: David Levene
Selasi Awusi Sosu. The Ghana Pavilion, curated by Nana Oforiatta Ayim and designed by David Adjaye, at the 58th Biennale di Venezia. Venice Biennale. Venice, Italy. Photograph by David Levene 6/5/19
Ibrahim Mahama
A Straight Line Through the Carcass of History 1649 (2016–19)
Smoked fish mesh, wood, cloth, and archival materials. Dimensions variable.
Courtesy the artist and White Cube. Photo: David Levene
Ibrahim Mahama. The Ghana Pavilion, curated by Nana Oforiatta Ayim and designed by David Adjaye, at the 58th Biennale di Venezia. Venice Biennale. Venice, Italy. Photograph by David Levene 6/5/19
Lynette Yiadom-Boakye, Just Amongst Ourselves (2019), series of paintings, oil on linen and canvas. Dimensions variable. Courtesy the artist; Corvi-Mora, London; and Jack Shainman Gallery, New York. Photo: David Levene
Lynette Yiadom-Boakye. The Ghana Pavilion, curated by Nana Oforiatta Ayim and designed by David Adjaye, at the 58th Biennale di Venezia. Venice Biennale. Venice, Italy. Photograph by David Levene 6/5/19
El Anatsui. The Ghana Pavilion, curated by Nana Oforiatta Ayim and designed by David Adjaye, at the 58th Biennale di Venezia. Venice Biennale. Venice, Italy. Photograph by David Levene 6/5/19