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Alexander Stevenson, 'The Battle for Eigg: part 1', Altered digital photography, 2008. Photo: Alexander Stevenson.

Alexander Stevenson, 'The Battle for Eigg: part 1', Altered digital photography, 2008. Photo: Alexander Stevenson.

Gerlinde Miesenboeck, 'Landschaften: Finnland', Photography, 2008. Courtesy: www.gerlinde-miesenboeck.com.

Gerlinde Miesenboeck, 'Landschaften: Finnland', Photography, 2008. Courtesy: www.gerlinde-miesenboeck.com.

Charles Avery, '?Aleph Null Head? 2008 and ?Installation of drawings? 2009 ', mixed media, 2009. Photo: Tate Photography. Courtesy: the artist.

Spartacus Chetwynd, 'Hermitos Children', DVD on video wall, 2008. Photo: Tate Photography. Courtesy: the artist and Herald St.

Eldi Dundee, 'Marching Toy Soldiers', photography, 2008. Photo: Eldi Dundee. Courtesy: the artist.

Eldi Dundee, 'Beastly', photography, 2008. Photo: Eldi Dundee. Courtesy: the artist. (see above) PS, there is still a dead link on my profile which says 'view or rate my profile' but it is misleading as the rating feature has been disabled by the contest moderators. http://www.greatbritons.ba.com/users/703/uploads/10726

Eldi Dundee, 'Manic Gingerbread Men', photography, 2008. Photo: Eldi Dundee. Courtesy: the artist. (see above) P.S. it has been speculated that they reason the BA Great Britons sponsors have decided to censor my profile and disable my ratings link is that as a brand, there would be conflict with Disney over my entry if I were to win. That's all fair enough, but I feel that if you're setting up a contest for artists, you have to expect some controversy, otherwise, don't ask for artists, ask for, (with no disrespect intended) designers and illustrators who work to spec. Or just be upfront and say there are restrictive remits entrants have to follow. http://www.greatbritons.ba.com/users/703/uploads/10705 

Eldi Dundee, 'Aggressive Reindeer On Parade', photography, 2008. Photo: Eldi Dundee. Courtesy: the artist. 'Taken at THE foremost, most iconic and world-famous American amusement park in Orlando during a Christmas parade in the Florida sunshine, a sight I've seen dozens of times as a child since the park's opening, a darker, almost sinister side to the place is revealed in this series of photos. Philosophical enquiry: did my ex-pat, generation x eyes find this darkness because I was looking for it, or did it just reveal itself because it is intrinsically, insidiously there already?'(Excellent response from a fellow artist  friend Rachel Louise Brown: 'There is no light without darkness. I reckon the sinister side was always there. Just like fairy tales.') http://www.greatbritons.ba.com/users/703/uploads/10698

Philippe Bazin.
DAD Photography Commissions Residency, 12-26 May 2008.

Richard Grassick, 'Blanche Pease Annex', Digital Photography. Photo: Richard Grassick.

Sven Johne, ‘Message in a bottle - Seven observations of Helplessness, #7’, photography, silkscreen, silver gelatine print, each 55x26.5cm, 2008.

Julian Stair, ‘Monumental Jar V’.
Photo: Gilmar Ribeiro/g2 photography.
Represented at Collect by Clare Beck at Adrian Sassoon. Collection of mima, presented by The Art Fund

'Frozen rose', digital print, 1st December 2008. Photo: Ann Shaw. from my photography blog detailing the life around me in Scotland

Paul Hirst and Marc Redford, 'Hidden Derbyshire Commission', Painting and Photography, November 2008.

Paul Hirst and Marc Redford, 'Hidden Derbyshire Commission', Painting and Photography, November 2008.

Paul Hirst and Marc Redford, 'Hidden Derbyshire Commission', Painting and Photography, November 2008.

Paul Hirst and Marc Redford, 'Hidden Derbyshire Commission', Painting and Photography, November 2008.

Claire Rousell, 'MA Photography University of Sunderland', 2008.

Claire Rousell, 'MA Photography University of Sunderland', 2008.

Kim vom Kothen, 'MA Photography University of Sunderland', 2008.

Kim vom Kothen, 'MA Photography University of Sunderland', 2008.