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Kerry Morrison, ‘100 cauliflowers (85 here and 15 elsewhere)’.
Photo: Independent Photography.
Created with Islington Mill Art Academy as part of
'Peninsula' a 2 year programme on the Greenwich Peninsula.
Peter Ford, ‘Poznan Shadows’.
Part of the artists' curatorial team for 'Through the Lens', RWA photography open exhibition.
Joel Tettamanti, ‘From the series Maloting, Lesotho’, c-print, 125x160cm, 2004.
Showing at Salle St-Georges of the Musee d'Art wallon as part of the 6th International Biennial of Photography and Visual Arts, Liege, Belgium.
Una Hamilton Helle , 'Mailund', Photography. Courtesy: http://krayonrecordings.kaen.org/una/nor3.htm.
Ingrid Plum, ‘Murmuration at Embassy Court’, 1,000 origami birds, video and sound.
Photo: Richard Boll Photography.
Commissioned by Bluestorm Ltd and supported by the Arts Council England, South East. Ingrid is a member of the Conceptual Artists' Network.
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Photography by Jane and Ian Frazer
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Photography by Jane and Ian Frazer
Alexandria Clark, ‘Purest Possible Experience, 2007’
Photography taken from performance at exhibition 'Double Take', Surface Gallery in Nottingham. (Example of current work)
French Mottershead, ‘A Daily Ritual to Capture the Presence of Everybody’, photograph from performance for camera, Saturday 11 February 2006.
Photo: Neilson Photography. Courtesy: the artists.
National Review of Live Art, Glasgow
Kathrin Böhm, Denise Kum, Toby Zeigler, ‘left hand side, Katrin Böhm, and millions and millions, wall work, paper, silkscreen, photography, photocopy. Right hand side, Toby Zeigler, Untitled, paper foam board, ink jet print, oil paint. On floor, Denise Kum, Flotilla, expanding foam, vinyl acetate, Styrofoam, acrylic, wood.’, 2003.
Irina Abjandadze, ‘work from the exhibition 'Aspects of Contemporary photography in South Caucasus', Museum of Photography, Thessaloniki’.
Anna Nijaradze, ‘work from 'Aspects of Contemporary photography in South Caucasus' exhibition, Museum of Photography, Thessaloniki’.
Simon Norfolk, ‘Bullet-scarred apartment building and shops in the Karte Char district of Kabul.’.
This area saw fighting between Hikmetyar and Rabbani and then between Rabbani and the Hazaras. From the book: Afghanistan: Chronotopia, Simon Norfolk. Norfolk was a finalist in the 2003 Citibank Privatbank Photography Prize.
Julia Margaret Cameron, ‘2d version The Dialogue’, 1866.
Photo: Courtesy: National Museum of Photography, Film & Television, Bradford.