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Elizabeth Magill, Divide, 2016-17, oil on canvas, 22.5 x 31.5cm. Photography by Hugo Glendinning

Johanna Unzueta, April, May 2016 NY, 2016, Watercolour, pastel, pencil, needle holes on hand-dyed watercolour paper (indigo), 1320 x 900 mm. Photo: Tate Photography

Luke Willis Thompson, Cemetery of Uniforms and Liveries, 2016, 35mm. Turner Prize 2018 exhibition installation view, Tate Britain. Photo: Tate Photography

Forensic Architecture, The Long Duration of a Split Second, consisting of two projects: Killing in Umm al-Hiran 18 January 2017, Negev/Naqab, Israel/Palestine, Investigation: 2017-ongoing, video, model, texts and Traces of Bedouin Inhabitation 1945-present, Negev/Naqab, Israel/Palestine, Investigation: 2015-ongoing, video, aerial images, text. Turner Prize 2018 exhibition installation view Tate Britain. Photo: Tate Photography

Naeem Mohaiemen, Two Meetings and a Funeral, 2017, three-channel video, Turner Prize 2018 exhibition installation view, Tate Britain (26 September 2018 – 9 January 2019. Photo: Tate Photography

Naeem Mohaiemen, Tripoli Cancelled, 2017, single-channel video, Turner Prize 2018 exhibition installation view, Tate Britain (26 September 2018 – 9 January 2019. Photo: Tate Photography

CCA, Glasgow, Sauchiehall Street entrance. Photo: Alan Dimmick

Roman Baths, Bath. Photo: Lewis Adams Photography on Visualhunt.com / CC BY-NC-ND

Ruth Ewan, Sympathetic Magick, 2018, Marxist magician Ian Saville. Photo: Sally Jubb Photography

Ed Ruscha, The Old Tech-Chem Building, 2003. © Ed Ruscha. Photography: Paul Ruscha

Hannah Gasparutti, BA (Hons) Photography 2017.

University of Lincoln College of Arts degree show. Picture: Chris Vaughan Photography Date: June 2, 2017

Book ship 3D model by Leonard McDermid of Stichill Marigold Press, made in response to the short story ‘Watching God’ by China Miéville, for World Book Night 2018.

Tate Britain. (c) Tate photography.

Cerith Wyn Evans, ‘Forms in Space ... by Light (in Time)’, Tate Britain, London, 2017. Courtesy; artist. Photo; Joe Humphreys, Courtesy; Tate Photography.

Tania Bruguera, Tatlin's Whisper #5, at Tate Modern 2016. Photo: (c) Tate Photography

DC1 Cafe & Gallery, 2017. Photo: Avant Commercial; Courtesy: Devonshire Collective

Paul Anthony Harford, Untitled (Young mother and child), 2003. Courtesy: Paul and Stefan Harford and Focal Point Gallery, Southend Photo: Andy Rose Photography

Martin Boyce, Clore Courtyard Commission, Tate Britain, January 2018. Copyright: Tate photography and Joe Humphrys

Martin Boyce, Clore Courtyard Commission, Tate Britain, January 2018. Courtesy: Tate photography and Joe Humphrys

Lisa Milroy, Party of One, 2013. Installation painting and painting performed, 9 dress object-paintings, 1 wearable dress painting, 10 wooden stands, clay bases. Oil on unstretched canvas, 182 × 234 × 200 cm (71¾ × 92¼ × 78¾ in). Photograph by FXP Photography

'Stick or Twist, Castlefield Gallery. Artwork: Richard Hughes, None Of Us Are Cute. Photo: Annie Feng - www.anniefengphotography.com