A-n’s Collaborative relationships series exposes the working relationships between artists and the wide range of professionals they collaborate with. Running in its current format since 2008 we now have a rich archive of over thirty articles covering hugely varied projects. Here, some select quotes offer highlights and insights into the nature of collaboration.
In December 2010 the Arts Council of Wales announced its new portfolio of revenue clients. From 116 existing clients more than thirty were lost. Five months on we asked the sector what the impact has been and how the visual arts in Wales has reacted, and what England might anticipate following last month’s ACE announcements.
Curator Lauren A Wright discusses her ‘journey’ to Margate.
Speaking at the Culture Change conference in January, Arts Minister Ed Vaizey called on arts organisations to embrace new technology as a resource to engage and develop audiences.
Midwest was an artist’s development programme that ran from 2003 to 2008 in the West Midlands. Here we share pdf reports on Midwest’s activity that provide valuable insights into possibilities within artist-led culture.
Subtitled ‘Women mapping Birmingham’, Craftspace’s ‘Routes to Revolution’ exhibition explores responses of refugees and newly arrived women to Birmingham and its industrial and craft-based heritage.
Director of Situations Claire Doherty and artist Stephen Hodge (of Wrights & Sites) give their account of how they developed a contemporary public artwork to reanimate visitors’ experiences of Weston-super-Mare.
A-n The Artists Information Company and Artquest have recently announced a new partnership programme that will provide increased professional development opportunities for artists throughout the UK.
Selected round-up of forthcoming events, training courses and professional development opportunities from the world of new media arts and imaging.
12 Visual art representatives address the damage that will be inflicted by proposed spending cuts, in a letter to the Secretary of State for Culture, Olympics, Media and Sport.
Thanks David, Abbi and Rob for your comments. Partner is back at work now, 6 weeks since falling ill. Still needs an afternoon nap, but since she works school hours, that’s possible. Amid the flurry of urgent work callouts I […]
Response from AIR: Artists Interaction and Representation.
Launched in 2006,Turning Point is a national ten-year strategy for the visual arts. A network of regional Turning Point groups has since been emerging, each charged with “strengthening the visual arts infrastructure”.
At the beginning of March this year, the Arts Council of Wales hosted ‘Arts in Health and Well-being’, a conference about prevention, intervention and creative action in healthcare.
Artist Christine Wilcox-Baker recounts her residency at Tatton Park with Gardens Manager Sam Youd.
Sadly, a-n’s Director of Development, Louise Wirz, is leaving to explore new territories.
Curator Matt Roberts talks to Jane Watt about how and why he set up the London-based organisation Matt Roberts Arts and the importance of providing support and a platform for emerging and mid-career artists, curators and arts professionals.
Emily Druiff and Sophie Hope discuss independent practice in relation self-initiated curator and artist-led projects.
A collaboration in March between Cockpit Arts and Own-It generated a seminar to explore work by established and emerging designer-makers who fuse craft with technology and their intellectual property rights.
Frances Lord discusses her practice as a curator, writer, freelance project manager and art consultant with Jane Watt.
Crafts Council Director of Programmes, Claire West talks to Jane Watt about why the Spark Plug Curator Award was initiated, the selection process and some of the exciting new curatorial ideas and works that have emerged.
Audience development is core within galleries and arts organisations seeking diverse participation in programmes. Here, we examine how they create accessibility, inclusion and encourage learning and engagement with artists and artworks through activities including workshops, residencies and other projects.
In a response to a request to consider issues around ‘rural arts practice’, Veronica Vickery writes in the light of the events, performances, installations and seminar that made up BOS-08 and a BOSarts research trip, funded by ALIAS to Grizedale and Allenheads Arts in August 2008.
Being accidentally locked in an anteroom at the European Commission in Brussels with Edward De Bono was an apt way to begin to understand the European Year of Creativity and Innovation (EYCI). The reason the renowned De Bono was in […]
Paulette Terry Brien reveals how a number of national public-funded galleries and organisations have expanded notions of exhibition programming beyond pristine white-walled gallery spaces, and are commissioning artists to make new and challenging work within the institution, as well as off-site.
