Approaching galleries
Jennie Syson offers some advice on approaching galleries, through setting out the different research routes and methods you might use.
Jennie Syson offers some advice on approaching galleries, through setting out the different research routes and methods you might use.
News briefing with national and international stories, including: Tate Britain launches new series of Late at Tate Britain nights for 2018, performance artist Toto Kisaku given political asylum by the US; ICA Philadelphia becomes first museum certified by W.A.G.E.
What: Dwell time: The time a train spends at a scheduled stop without moving. Typically, this time is spent boarding or deboarding passengers, but it may also be spent waiting for traffic ahead to clear, or idling time in order […]
Guidance for organisations on how to shape policy statements on Exhibition Payment. Produced in support of a-n/AIR’s Exhibition Payment Guide, which calls for organisations to be transparent in their working practices with artists by publishing clear and transparent payment information.
Sets out how a-n The Artists Information Company ensures proper and fair payment both within the company and across its programmes and operations.
Artist Catherine Bertola is concerned that HMRC’s new ‘Making Tax Digital’ proposals, which the government claims will make tax administration more efficient and easier for taxpayers, will result in additional administrative pressure for many artists and self-employed freelancers with low and erratic incomes.
Artists whose work has been published in a UK book, magazine or TV programme are eligible for payment through the Design and Artists Copyright Society’s annual Payback scheme.
This checklist by Sheena Etches and Nicholas Sharp covers many issues relevant to small-scale private and public art commissions, with questions to consider and further explanation of issues arising in the notes.
Over £4 million in royalties to be redistributed to artists and their estates for the re-use of published artwork.
A purpose-built legal framework and ‘brand identity’ for social enterprises that want to adopt the limited company form, the Community Interest Company organisational structure has also proved popular in the arts and charity sectors.
Why do so many artists get asked to work for free, so often? And what’s the best way for an artist to deal with these requests, and ensure they’re financially secure and their work is valued? Michelle Aldredge explores the problem and encourages ‘mindful decision-making’ as a way forward.
Arts Council England has set out its agenda for arts investment for 2015-18, and alongside an announcement that the National Portfolio Organisation budget will combine Lottery funding with government grant-in-aid for the first time, ACE also says it is expecting NPOs to pay artists fairly.
The fight for artists’ payments at Canada’s National Gallery is going to the Supreme Court.
The Design and Artists Copyright Society warns that artists could face a loss of income following changes to licensing mandates, and is urging artists to compete an online survey as part of its work to secure payments.
Research by a-n shows a continued decline in paid opportunities for artists.
Public meeting in Glasgow to address the need for artists’ exhibition fees.
While the Olympics has helped highlight artistic, as well as sporting achievements, much still needs to be done to create sustainable careers in the arts.
The tax office (Swedish) called while I was on my way to the supermarket. They needed to ask a couple of simple questions to approve my application to register my company. The first was to clarify the type of artistic […]
Just found this Art Worker app on itunes: http://itunes.apple.com/us/app/art-worker/id439994115?mt=8&ls=1 It’s pretty simple but works out a suggested daily rate as well as fees for talks/workshops (based on yearly outgoings) and prices for work. It’s a bit like a-n’s fees calculator […]
In these times of austerity, a-n Magazine has compiled a catalogue of money-saving ideas for freelancers that have been tried and tested by our readers.
A guide for artists and arts organisers to creating a mutually-beneficial relationship.
Exploring the roles and reasons of selected organisations dedicated to widening access to the visual arts through commissioning temporary and permanent interventions in non-gallery spaces in the first of a two-part feature.
With inflation about to hit a ten-year high1, to what extent can the practices of artists nowadays resist the pressures of the real world?
Informed by the Code of practice, contains guidance on how artists and exhibition venues can achieve good practice in their working arrangements.
A text only version of this publication can be found at www.a-n.co.uk/fees_and_payments
We are a local authority-run gallery who occasionally employ artists and other workers to do workshops with us on our premises.