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A Q&A with… Martin Creed, artist and musician

Turner Prize winning artist Martin Creed has major shows on at Hauser & Wirth Somerset and Park Avenue Armory in New York, has recently played at Glastonbury, and has just released a new album of songs, Thoughts Lined Up. Fisun Güner talks to him about music, art, food phobias and life after Brexit.

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Turner Prize

Last night, while we were at our work Christmas meal, I checked twitter to see if the Turner Prize winner had been announced. Seeing that it had and informing the others, there was a whoop of joy and a shout of […]

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engage conference 2015: challenging, provocative and young at heart

This year’s engage International Conference in Glasgow focused on young people working with art and artists, with a remit to explore the gallery as a school, the importance of cross-disciplinary engagement, and the ethics of peer-led practice. But, as Moira Jeffrey reports, much of the lively and challenging discussion was wide-ranging and off script.

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Community arts projects: “collaboration is important”

Liverpool-based artist Emma Sumner reports from two recent community arts focused events in the city, a Temporary Parliament tasked with selecting the winner of the 25,000 Euro Visible Award for ‘socially engaged practices in a global context’, and a conference organised by Liverpool Biennial which looked to learn from the legacy of community arts projects in the light of a renewed interest in socially engaged art.

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Jury announced for John Moores Painting Prize 2016

Walker Art Gallery in Liverpool has announced the panel of judges who will select the shortlist and overall winner of the UK’s longest-established painting prize, which is currently open for applications until 9 November 2015.

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Turner shortlisted artist: the prize machine stifles art

In a piece originally published by The Conversation, artist and 1997 Turner Prize nominee Christine Borland, professor of art at Northumbria University, argues that the prize needs to transcend its own ‘structures of power’ and instead find a way for the art itself to be centre stage.

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