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Blog Post

Untitled blog post from "Making art politically"

For an introduction to this post see introduction to entry 64. For a while I felt myself identifying very strongly with my femaleness in relation to the work. I got interested in thinking again about the work of the Austrian […]

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James Walmsley
image

James Walmsley

Cow Lane Studios, 'James Walmsley'. Flyer
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Thoresby Street Building, Nottingham
Resource Archive News archive

Moving studio

Recent months have seen changes to the artistic landscape in Nottingham, reflective of a wider shift occurring in the surrounding cultural environment. These changes demonstrate that Nottingham is an increasingly attractive base for artistic activity, with a rising retention of graduates leaving higher education as well as enticing artists from the region and further afield.

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Resource Archive News archive

Craft businesses thrive

A new study has revealed that exports account for 30-40% of designer-makers’ business within Cockpit Arts, with France, Japan and US the main markets.

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SORA range for Habitat
Resource Archive News archive

Collaborations between artists and the ceramics industry

Organised by University of Westminster research fellow Clare Twomey to coincide with London Design Week, September’s one-day symposium Collaboration: Artist and Industry held at The Building Centre, London offered international and UK perspectives on artists in residence within the ceramics industry.

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Blog Post

Untitled blog post from "Making art politically"

I have called my Ingeborg Bachmann piece I.B. I've just realised this also stands for Incommensurable Banner. The collective protest banner that I started off in the gallery is not working at all. I am considering ditching the whole endeavour. […]

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Blog Post

Untitled blog post from "Nottingham Trent University"

Its the end of the first week of term. Finally. It's good to be back. 25 weeks until we start clearing out the studios for the degree show they keep telling us. 25 weeks. I'm not quite sure if I'm […]

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The Long and Winding Road.
Resource Archive Feature

Disconcerting possibilities

With a-n amongst the first to record its phenomenal impact through publication way back in 1991 of Live art, performance as it was then known, exhibited the characteristics of all that was innovative and edgy. In its introduction, Robert Ayers and David Butler commented: “Live art’s continued value and relevance is mirrored by the extent to which other live artists continue to come up with surprising, disconcerting new possibilities”.

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Viewing Platform: a workshop for artists to map their art world.
Resource Introduction

Art markets

Sarah Thelwall reveals that there is not one art market but several different ones. These markets are very different in terms of the artists, gallerists and collectors who participate and develop them. This Art market tour articulates the main markets and looks at what drives them.

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Magie Hollingworth
Event Exhibition

Reconstructed

  • Archive
  • Venue:
    The Harley Gallery
  • From:
    October 08, 2008
  • To:
    November 05, 2008
  • Location:
    East Midlands
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