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A diplomatic role
Sally O’Reilly talks to Penny Johnson, Director of the Government Art Collection, in the sixth and final article in the ‘Crossing Over’ series.
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Calum’s Road
An Tuireann Arts Centre, Portree, Isle of Skye
1 May – 12 June
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Girl power
A recent Crafts Council report shows that female self-employed entrepreneurs have emerged for this growing sector, currently estimated to worth over £800 million. The report, the first on the crafts sector for ten years highlighted the importance of lifestyle satisfaction […]
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Patriothall secured
Scotland’s largest studio provider, Wasps Artists’ Studios and sister charity the Wasps Trust, have launched capital projects worth £6.5million in three cities as part of strategies to benefit visual artists. To date, over £4.3 million has been earmarked to buy […]
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Anniversary celebrated
In May, the Open Studios in Brighton celebrates twenty-five years as the longest standing artists’ studio in the city. Located in the historical fisherman’s arch directly between the piers, it has long been the workplace of artists and craftspeople of […]
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a-n makes connections
Presentations by consultant Lee Corner and a-n Director of Programmes Susan Jones on the Code of Practice for the Visual Arts were incorporated into Engage’s Making Connections series of seminars during March. Held at Queen’s Hall Hexham, Artsway New Forest […]
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Jane Bailey
In summer 2003 I took part in Excavate Overlay, a multi-disciplinary project involving artists, a writer/ anthropologist, archaeologists and members of a rural community in Caithness, Scotland.
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Charlie Pulford
“I’m drifting far out in space with Michael Jackson’s face, and all I want to do is get back home.”
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A mutual arrangement
Giles Sutherland looks at the relationship between glass artist Keiko Mukaide and Edinburgh College of Art.
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Studio moves
Artist-led Leeds Sculpture Workshop has rented property in Leeds for over ten years. Now the studio has moved into a permanent home that will enable artists to rent studio facilities at affordable prices in a professional atmosphere. This is a […]
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The new breed
John Beagles comments on the increased presence of artist-run initiatives at this year’s Glasgow Art Fair.
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An academic model
Paul Glinkowski profiles the work of Paul Bonaventura, co-founder of The Laboratory, the research wing of the Ruskin School of Drawing and Fine Art at the University of Oxford, in the fifth article of the ‘Crossing over’ series.
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Montreal
Gillian Nicol reports on Montreal’s vibrant artist-run sector.
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Together forever
Julie Brook gives a personal account of her involvement in the Comhla International Artists Workshop in North Uist.
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8th Istanbul Biennial
Michelle Cotton examines how the local art scene reacts to the international attention focused on the city during the biennial.
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By association
Isabella Oulton examines the current debates around the status of artists in France as raised at The First National Visual Artists’ Forum.
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Fieldworks
Diana Yeh reports from the ‘Fieldworks: Dialogues between Art and Anthropology’ symposium.
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Creative learning curves
Jane Watt looks into professional development initiatives available to artists working in the public domain, in the fourth of the six-part series ‘Navigating Places’.
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Buyers’ market
Brigid Howarth discovers what makes art buyers tick.
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Profile of an art collector
Brigid Howarth talks to an art buyer who has been collecting since the age of nineteen.
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Gillian Wylde
Working with live performance, video, text and object, my practice is an investigation of liveness, mediation, desire and duration.
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Profile of a craft collector
Brigid Howarth gives a rare insight into one art buyer’s collection and discovers the favorite haunts for snapping up the next big thing.
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Deutsche Bank Art Collection
Brigid Howarth talks to Deutsch Bank curator Mary Findlay about the sourcing and buying of artworks for the largest corporate art collection in the world.
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Art buyers
Brigid Howarth presents an insight into the mind of the art buyer, from private buyers to corporate and public collections.
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Space age
Rosemary Shirley visits Reading-based gallery and studio complex Open Hand Open Space and discovers what makes the organisation tick.