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Paul Edwards describes how residencies provide him with the opportunity to concentrate wholly on his practice.

Penelope Curtis explores how ‘installation art’ has affected our readings of art, artists and curators.

Last September a diverse group of artists from Germany, Austria, Russia, Scandinavia, the US and UK assembled in the studios of the Academy of Media Arts in Cologne for a frenzied weekend of live performance. Rob Flint was one of the participants.

New Delhi isn’t an obvious destination for visual arts practitioners. However, as Judith Staines discovered, scratch the surface and a more interesting picture starts to emerge.

Susan MacWilliam reports on her residency at Caribbean Contemporary Arts (CCA), Trinidad.

In the summer Edinburgh-based artist Julie Read attended IMPACT, the Second International Printmaking Conference in Helsinki. She also took the chance to check out the local artscene.

“Imagine an ecological city, where communities are based on voluntary cooperation not competition, mutual aid not private profit, cultural diversity not globalised monoculture, permaculture not consumer culture”.¹

Neil Zakiewicz plots the progress of The Trade Apartment’s ‘alternative’ activities.

Networking through the internet

Jes Fernie reveals the process of enquiry that challenges collaborations between artists and architects.

Glass artist Jonathan Andersson discusses the benefits of breaking into the American art and craft fair circuit.

David Butler reports on the current crop of ground-breaking collaborations between art and science that are giving artists the time to undertake sustained, open-ended research without the expectation of a specific outcome.

American artist Kurt Perschke reports with an account of his self-organised large inflatables ‘RedBall Project’ in Barcelona.

Valerie Coffin Price reports from Est-Nord-Est, an artist-led centre in Quebec, Canada.