Building Artists’ Futures – Strengthening Solidarity
A symposium co-hosted by a-n, the Artists’ Association of Finland and the International Association of Art (IAA) Europe.
A symposium co-hosted by a-n, the Artists’ Association of Finland and the International Association of Art (IAA) Europe.
Introducing the fourth and final set of conversations in our 40 Years 40 Artists series of artist interviews.
In this first in a series of conversations with the Shape Arts’ Transforming Leadership Programme cohort 2020-2022, Shape CEO David Hevey talks to Inky Cloak’s co-artistic director Martin Moriarty about making queer stories visible, alternative funding models, and the importance of participation.
Three long-form, long-term a-n Bloggers reflect on their blogs.
With a nod to the Noughties, Guest Editor Shy Bairns explores collectives and how artists work together to build their own art worlds.
Artist collective Rat Trap outline their hopes for the future of the arts in Wales and consider “how to keep striving for utopian visions”.
With a nod to the Noughties, Guest Editor Shy Bairns explores collectives and how artists work together to build their own art worlds.
Franko B discusses his early body and blood-based performances in gay clubs during the 1990s, made at the height of the AIDS crisis.
Nine artists selected to take part in UP Projects and Flat Time House’s free programme exploring socio-political issues, community-oriented practice and/or public contexts to develop their practice whilst collaborating with others.
This squished, slumped ceramic trophy has been on my shelf since September. It may or may not contain gold bullion. The artist made hundreds and put gold in some (and pewter in others). If I pick up my trophy and […]
a-n Artists Council has initiated a 12-month research and development project that will explore the role of the artist in society and advocate for how artists and art organisers can effectively work for change. Lead artists Rachel Dobbs and Glen Stoker speak to Jack Hutchinson about the project and how the Covid-19 pandemic has impacted their plans.
As Brexit gives way to Covid-19 as the defining factor shaping all our futures, Chris Sharratt asks lecturers and course leaders about the kind of art this year’s graduates are making. “I think this stuff comes from an anxiety about […]
Ahead of their collaborative group exhibition ‘Beating Time’, which opens at ARB, Cambridge, later this week, Jack Hutchinson spoke to artists Alison Critchlow, Miranda Boulton, and Una D’Aragona who have all participated in Turps Art School’s Correspondence Course. They discuss the benefits of the programme to rural-based artists and how it offers an alternative to courses run by traditional art education institutions.
In 2017, New Contemporaries, an annual exhibition of emerging artists from UK art schools, opened up its application to include artists from alternative learning programmes. Director Kirsty Ogg discusses this decision, the changing climate for emerging artists in the UK, and what artists really need to develop and challenge their practice. Interview by Michaela Nettell.
Alternative art education programmes come in a range of formats, from entirely self-organised to more structured offerings. Lydia Ashman hears from seven artists who discuss how they chose a programme which would develop their practice and fit with their lifestyles, and offer advice on selecting the right one for your needs.
As the marquees go up in the park, we take a look at some of the fairs, events and curated projects taking place this week in London and beyond, including a new Art on the Underground commission by Denzil Forrester, House of Voltaire’s latest pop-up space and the second iteration of the Coventry Biennial.
Selected by artists Rana Begum, Sonia Boyce and Ben Rivers, the open submission exhibition will launch at Leeds Art Gallery in September before moving to South London Gallery.
‘I haven’t really planned a route..’ In an email on January 23rd, Simon expressed his preference for a sunrise walk and suggested a handful of dates, his email ended with a cautionary ‘the longer we leave it the earlier we […]
Founded in 2010 by a group of London-based artists, AltMFA is a free, nomadic, alternative art school whose fluid content and structure morphs around the needs of its members. Lydia Ashman speaks to co-founder Louise Ashcroft about the project and why radical inclusivity and a little bit of anarchism are essential to its existence.
Rhubaba is a studio provider and a project space in Edinburgh. Led by a volunteer committee, it presents an interdisciplinary programme of exhibitions, workshops and events. Lydia Ashman speaks to committee member Ben Callaghan about Learnin’ Broke my ?, Rhubaba’s research project on radical pedagogy and self-organisation, and the challenges and rewards of operating in an artist-led context.
Treeline is a Birmingham-based artist-led investigation into how artists can influence our relationship with nature. In 2017, members of Vivid Projects’ Black Hole Club visited Norway and Spain to research and develop an international network of artists, sustainability practitioners and academics for Treeline. Lydia Ashman speaks to Jaime Jackson, one of Treeline’s founders, about why artists are best placed to facilitate positive change.
Rana Begum, Sonia Boyce and Ben Rivers will select new and recent fine art graduates for the latest edition of the annual, nationally touring exhibition.
The Salford-based peer-led art school has teamed up with Manchester Metropolitan University for a fully funded research post which will explore alternative school models.
What does 2019 have in store in terms of exhibitions, art fairs, festivals, conferences and other events? We take a month-by-month look at what the year ahead has to offer.
Islington Mill in Salford is an evolving creative space, arts hub and community that provides studios, hosts residencies, and includes a peer-led art school and artist-run B&B. This profile includes two videos, recorded at Assembly Salford, of Islington Mill founder Bill Campbell introducing the organisation and discussing future plans.