The Jerwood Foundation’s reputation as the major player in awards to artists is further cemented with a new scheme for photographers. Organised in association with the magazine Portfolio, the Jerwood Photography Awards offer £10,000 in prizes to new photography graduates […]
The bumper issue of [a-n] Magazine this month has a distinctly digital flavour with a critical overview of recent net art and a profile of evolving new media consortium SCAN that aims to promote emergent, collaborative and experimental practice. In […]
John Cornall profiles the international art college.
Introduction to our resources on self-employment.
German-born Gereon Krebber has won the £25,000 Jerwood Sculpture Prize for his proposal to create a one and a half metre tin can with an intriguingly slightly-open lid at the Jerwood Sculpture Park at Whitley Court in Worcestershire. He beat […]
Sarah Bodman explores a selection of recent limited edition works that show a fluid crossover between artists’ books and multiples.
New York is arguably the world’s art capital. In a special four-page focus Jessica Crombie looks into internships and Karen Guthrie investigates activity beyond the commercial gallery scene.
The shortlist for this year’s Jerwood Sculpture Prize, worth £25,000 as a commission, reflects the independence of mind of artists who have graduated from art school within the last fifteen years. In keeping with the spirit of the competition, the […]
Simon Webb talks to artists from across the UK about drawing and its place within their practice
Devon Guild of Craftsmen, Riverside Mill, Bovey Tracey
25 January – 5 March
Carey Young provides a guide to engaging with businesses and in business contexts.
Andrea Ronan outlines some UK residencies including what sponsors or residency programmers may expect in return for the fees, studios, materials and accommodation on offer.
Amanda Fielding looks at the activities of Johanne Mills and provides insights into the versatility of the contemporary artist.
Nina Madden talks to Shelly Goldsmith about her career to date, and receiving the Jerwood Applied Arts Prize.
Brigid Howarth takes an in-depth look at the career path of sculptor and new-media artist Ben Coode-Adams, who makes his living from public and private commissions.
Sorcha Dallas profiles Transmission, the Glasgow-based artist-run gallery, that was established in 1983 by graduates of Glasgow School of Art.
Hayley Newman works performatively, producing live events, film, video and photography. Sally O’Reilly looks at how she investigates modes of documentation and the historical placement of the genre.
Paul Moss profiles Tanya Axford and discusses the strategies she has employed to maintain her practice.
Chris Hammonds looks into Scott Myles practice and discusses how he has worked on self-initiated projects, developed work through residencies, and benefitted from commercial representation.
Heather Rigg profiles Next Move, a national professional development scheme which aims to launch the careers of applied artists.
Despite graduating just two-and-a-half years ago, it is incredible how much metalsmith Junko Mori has managed to achieve in terms of reaching different markets and raising the profile for her work. In some ways she appears to be the very […]
Catto Contemporary, London
10 January – 3 March
Photography, animation and video feature in an exhibition by emerging artists at London’s Pump House Gallery until 9 March. Recent Goldsmiths graduate Finnish artist Axel Antas seems to create something out of almost nothing. Dust, condensation, clouds and snow have […]
Becky Shaw describes how she negotiated the difference between the expectations of her work and the reality of her practice when she received a prestigious international art prize.
New Delhi isn’t an obvious destination for visual arts practitioners. However, as Judith Staines discovered, scratch the surface and a more interesting picture starts to emerge.
