Graduate Diploma in Creative Business Development The only graduate creative business programme in the UK that focuses on the creative individual as the centre of the business practice. During this one-year programme, students investigate and develop their own understanding of […]
Surface Gallery, Nottingham
10 – 14 November 2009
Mir Jansen, Programme Manager of the professional development programme at Yorkshire Artspace in Sheffield talks to Jane Watt about how the studio organisation continues to support artists, the parallels between an artists and an organisations profile development, and her top five tips on making funding applications.
Artists embracing a do-it-yourself approach to the promotion of their practice using new technologies, open source software and online communities, was the idea behind two seminars organised in partnership with Chapter Arts Centre and WARP at g39.
Surface Gallery, Nottingham
10 – 14 November 2009
Global, Global
8 November 2009
Responding to the gap in intelligence about artists and their practice, AIR: Artists’ Interaction and Representation has been conducting a series of research projects with the aim of informing cultural advocacy and policy-making.
Alice Bradshaw and Matthew Geraghty discuss Temporary Art Space’s six-month tenancy in the council-run Piece Hall in Halifax.
Following on from my Degrees Unedited blog. I have now graduated and am embarking upon an MA. Am I still classed as a student as I’m still studying or a ‘Real” artist now that I am a Post Graduate? This […]
Further details from a selection of this month’s MA and post-graduate course advertisers.
Nottingham Trent University, Nottingham
6 – 11 June 2009
Further details from a selection of this month’s MA and post-graduate course advertisers
This month’s artworld movers.
The relationship between artists and money has always been one of contradictions and idiosyncrasies. Fine art higher education in the UK concentrates mainly on the artist’s intellectual pursuit, somewhat disconnected from any idea of financial independence.
Growth of independent curators and curatorial agencies within the UK over the last decade is no accident. Generated in part as a response to inherent constraints within the traditional gallery and museum world and development of specialist curatorial courses, it has undeniably brought fresh perspectives to artist-curator relationships and, increasingly, supports those practitioners seeking to move across into curation as a natural extension of their visual arts practice.
University of Teesside, Middlesbrough
11 – 15 May 2009
AIR – Artists Interaction & Representation welcomes the opportunity to contribute to the workforce development plan for the visual arts.
