Young Artist of the Year, worth £5,000 in this year’s Hunting Art Prizes, went to Falmouth College of Art final-year fine art student, Marco Amura, whilst 1999 Falmouth fine art graduate Alisdair Lindsay scooped second prize worth £4,000. Their work […]
Welcome to Philip Marsden, appointed in November. An BA fine art graduate from University of Newcastle, he joins the Communications and Sales team. Congratulations to Louise Wirz, Director of Development, who gave birth in October to baby Nina. a-n Magazine […]
Last year Simon Keenleyside, a Royal College of Art graduate, won the first BOC Emerging Artist Award. Organised by the agency Art for Offices, the award is worth a total of £20,000 and will be offered annually to a UK-based […]
Heralded as the north of England’s answer to the Turner Prize, the Comme ça Art Prize North aims to raise the profile of artists living and working beyond London. Worth £10,000 (against the Turner Prize of £20,000), the prize will […]
William Welch’s adaptable cutlery, designed for people with poor grip and restricted movement, won him £16,000 in this year’s Oxo Peugeot Design Awards. Welch was selected from ten finalists covering the five award categories of applied metal design, ceramics/glass/polymers, furniture, […]
Government enthusiasm for involving young people in arts activities has focused the attention of many galleries. Kate Tregaskis reports from Scotland on recent debates around programmes abroad and raises some questions about good practice.
The UK’s seen a noticeable increase in professional development schemes for artists, encompassing training, mentoring, networking and information services. There is an obvious cross-reference to the government’s endorsement of ‘lifelong learning’ as a principle, encouraged through the offer of individual learning accounts for all. These moves increase opportunities for the kinds of artistic development that incorporates developing and honing skills, accessing facilities and ultimately furthering career strategies. The results are more than just CV embellishment. By providing points of crossover between artists, such schemes contribute to peer support systems and help to address the potential isolation of artists. Here, three individuals involved in artists’ professional development matters describe some of the resources around, and discuss how artists are making the most of them.
The Department of Art and Art History at the University of California, Davis invites applicants for the first of two newly endowed senior faculty positions. The appointment will be at the level of Associate Professor or Full Professor.
John Moores Painting Prize is the UK’s most well-known painting competition. The prize is open to all artists — undiscovered, emerging, or established in their careers — working with paint who are 18 years or over and live or are professionally based in the UK.
Happy 18th Birthday Project Me blog! It’s hard for me to think that eighteen years ago I wrote the first entry. I am not the most prolific blogger by any stretch … I am perhaps the most persistent though. And […]
New Art West Midlands (NAWM) is seeking a new Co-Chair who will work side by side with fellow Co-Chair Heather Peak and support Director Colette Griffin.
We catch up with Telford-based painter Shannon Ward after a whirlwind year in which she was featured in a-n’s Degree Shows Guide 2024, graduated from Wolverhampton School of Art in June and went on to win the Freelands Painting Prize.
Shows by a-n members across the UK, including a solo exhibition in Edinburgh by Holly Davey, outdoor sculpture in Yorkshire by Matthew Darbyshire, plus group shows featuring works by artists Rae-Yen Song, Zoe Anker and Małgorzata Dawidek