Art on a Postcard Mini Auction | In Collaboration with The Bomb Factory
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Archive
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Venue:
The Bomb Factory Art Foundation Gallery -
From:
May 12, 2022 -
To:
May 26, 2022 -
Location:
London
As part of our commitment to supporting artists, we are offering bursaries of between £500 to £1,500 for continued professional practice.
Artist filmmaker and a-n member Jennifer Martin discusses her work with Joanna Byrne.
New Contemporaries has announced this year’s selected artists for Bloomberg New Contemporaries 2021.
Glasgow School of Art’s Showcase 2021 includes works by graduating artists from across the school. In this review, originally commissioned by GSA, Chris Sharratt takes a look at the School of Fine Art Showcase.
Harold Offeh outlines how his success as an artist “has been built on the hard efforts, work and activism of previous generations.”
How did an Instagram hashtag create a mutually supportive art market that puts artists first, whether new graduates or well established?
These are my notes from visiting artist Ann-Marie James on making a living as an artist. James took an unpaid work experience placement at a museum, and joined a group for young people interested in the arts at Kettle’s Yard. […]
MISC.©R-HR2005-2023 Contemporary Art Critical Theory R-H Robinson 2012 Bookplan #4: Contemporary Fine Art and Society Art Practice and Theory Postmodern aesthetics supports the industrialization of culture as commodity- the use of audience and spectacle key to the production and consumption […]
Gary Hume reflects on his successes during the 1990s and on being “prepared to risk my career for being an artist.”
Richard Billingham reflects on the turning points in his photography and experimental films, which he began making during the 1990s.
Catherine Bertola and Rosie Morris provide a platform for women artists and writers to highlight less visible, marginalised and precarious practices in the second series of our magazine style publications celebrating the a-n archive.
Catherine Bertola and Rosie Morris provide a platform for women artists and writers to highlight less visible, marginalised and precarious practices.
Jane and Louise Wilson discuss the start of their artistic collaboration in the 1990s, and how a-n is “an essential resource.”
2020 graduate Jody Mulvey discusses founding SADGRADS and her hopes for the future.