LOOP2021 : ARTISTS IN PRINT
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Archive
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Venue:
Espacio Gallery -
From:
November 02, 2021 -
To:
November 07, 2021 -
Location:
London
As part of our commitment to supporting artists, we are offering bursaries of between £500 to £1,500 for continued professional practice.
Artist filmmaker and a-n member Jennifer Martin discusses her work with Joanna Byrne.
New Contemporaries has announced this year’s selected artists for Bloomberg New Contemporaries 2021.
Glasgow School of Art’s Showcase 2021 includes works by graduating artists from across the school. In this review, originally commissioned by GSA, Chris Sharratt takes a look at the School of Fine Art Showcase.
Harold Offeh outlines how his success as an artist “has been built on the hard efforts, work and activism of previous generations.”
How did an Instagram hashtag create a mutually supportive art market that puts artists first, whether new graduates or well established?
These are my notes from visiting artist Ann-Marie James on making a living as an artist. James took an unpaid work experience placement at a museum, and joined a group for young people interested in the arts at Kettle’s Yard. […]
MISC.©R-HR2005-2023 Contemporary Art Critical Theory R-H Robinson 2012 Bookplan #4: Contemporary Fine Art and Society Art Practice and Theory Postmodern aesthetics supports the industrialization of culture as commodity- the use of audience and spectacle key to the production and consumption […]
Gary Hume reflects on his successes during the 1990s and on being “prepared to risk my career for being an artist.”
Richard Billingham reflects on the turning points in his photography and experimental films, which he began making during the 1990s.
Catherine Bertola and Rosie Morris provide a platform for women artists and writers to highlight less visible, marginalised and precarious practices in the second series of our magazine style publications celebrating the a-n archive.
Catherine Bertola and Rosie Morris provide a platform for women artists and writers to highlight less visible, marginalised and precarious practices.
Jane and Louise Wilson discuss the start of their artistic collaboration in the 1990s, and how a-n is “an essential resource.”
2020 graduate Jody Mulvey discusses founding SADGRADS and her hopes for the future.
2020 graduate Miya Browne considers the role of art and the artist in the 21st century and outlines their vision for the future.
Brian Catling reflects on his work in the 1980s and explains how he made his first performance piece at Whitechapel Gallery “by divine accident”.
Sunil Gupta discusses making work about the experiences of gay men in his hometown of Delhi and setting up Autograph in the 1980s.
Royal College of Art graduate discusses campaigning during the final year of his MA, and going from RCA painting student rep to supporting with Pause or Pay UK – from the backroom of a café in Cyprus, where he has spent two months tracing his family and find his grandfather’s birth certificate.