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40th Anniversary Feature

40 Years 40 Artists: Brian Catling

Brian Catling reflects on his work in the 1980s and explains how he made his first performance piece at Whitechapel Gallery “by divine accident”.

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40th Anniversary Feature

40 Years 40 Artists: Sunil Gupta

Sunil Gupta discusses making work about the experiences of gay men in his hometown of Delhi and setting up Autograph in the 1980s.

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News News story

2020 – How was it for you? #6: Ed Compson, artist and activist

Royal College of Art graduate discusses campaigning during the final year of his MA, and going from RCA painting student rep to supporting with Pause or Pay UK – from the backroom of a café in Cyprus, where he has spent two months tracing his family and find his grandfather’s birth certificate.

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DSG Feature

Degree Show: West Dean Fine Art Show 2020

West Dean College of Arts and Conservation, Graduate Diploma Fine Art, MFA. 13 July 2020 – January 2021. For the first time, graduating students from the Fine Art programmes at West Dean College of Arts and Conservation will be hosting […]

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News News story

a-n Degree Shows Guide 2020: celebrating new art in extraordinary times

The just-published 32-page guide includes an expanded ‘Class of 2020’ section featuring images and insight from both graduating students and lecturers, plus there’s an extensive interview with collaborative duo Jane and Louise Wilson, and collectives from around the UK discuss why ‘putting heads together to collaborate is an artistic no brainer’

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DSG Feature

Student art: “Sincerity is in, glib humour out”

As Brexit gives way to Covid-19 as the defining factor shaping all our futures, Chris Sharratt asks lecturers and course leaders about the kind of art this year’s graduates are making. “I think this stuff comes from an anxiety about […]

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Resource Guide

Artists working in higher education

Within UK universities, visual artists are working across university departments in many different ways ranging from arts and health initiatives, residencies and cultural heritage projects to commissions, teaching and PhD research. Artist Steve Pool identifies some key ways artists are working within HE and considers the value of such relationships to both artists and institutions.

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Blog Post

New sound art piece

I am trying to break the economic exile I have found myself in, as an artist, unable to work for free, without funding. Last year, in the midst of another economic crisis, I was offered the opportunity to participate in […]

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News News story

Turps Correspondence Course: “It makes art education a more level playing field”

Ahead of their collaborative group exhibition ‘Beating Time’, which opens at ARB, Cambridge, later this week, Jack Hutchinson spoke to artists Alison Critchlow, Miranda Boulton, and Una D’Aragona who have all participated in Turps Art School’s Correspondence Course. They discuss the benefits of the programme to rural-based artists and how it offers an alternative to courses run by traditional art education institutions.

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40th Anniversary Feature

40 Years 40 Artists: Mona Hatoum

Mona Hatoum discusses the ways in which her own work “became more confrontational” in the 1980s through live performance and direct street action.

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40th Anniversary Feature

40 Years 40 Artists: the 1980s

Read the first 10 conversations in our 40 Years 40 Artists series of interviews with artists who feature in a-n’s archive.

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