The committee of the artist-run Glasgow gallery, which last week was dropped from Creative Scotland’s portfolio of regularly funded organisations, has issued a strongly-worded statement lambasting the decision.
Artists and visual art professionals have been expressing their shock and concern over Creative Scotland’s decision to cease its regular funding of Transmission, the artist-run Glasgow gallery that has had key role in the city’s contemporary art scene since 1983.
The new Camberwell Space inaugural exhibition A History of Drawing on the practice and teaching of drawing at the College for over 80 years.
Creative Scotland has announced the recipients of regular funding for the 2018-21 period, with some big names leaving the portfolio and some new additions including Stills Gallery and the Scottish Contemporary Art Network.
Reflecting on the experience, New Art West Midlands really did help me continue my artistic practice after my Graduate Residency, and gave me many different opportunities however big or small. It also gave me the opportunity to work on such […]
This week’s selection from a-n’s busy Events section; exhibitions and events posted by a-n members including selections from Birmingham, London and Penarth.
Rose Wylie has found critical and commercial success late in life, winning the 2014 John Moores Painting Prize at 80 and her first major exhibition taking place when she was 77. As her show, ‘Quack Quack’, continues at London’s Serpentine Sackler Gallery, the Kent-based artist talks to Fisun Güner about show titles, inspiration and more.
The following blogs will chart my journey up to and beyond a months residency in South West Ireland completely over the Summer of 2017, supported by a bursary from a-n The Artist Information Company.
Arriving in Perugia I was met off the train by the artist Arthur Duff. He has been living in Italy since the age of nine. His studio and family life are in Vicenza though five days each month he works […]
The director of Manchester’s Castlefield Gallery looks back on her first year in the role, a period which has seen the organisation renew its Arts Council England NPO status enabling it to push forward with its talent development programme for artists.
One of the aspects of coaching that I’ve become interested in, although perhaps not quite as proficient in as I would like, is the idea of ‘clean’ coaching. Clean coaching includes the use of clean language which is “a simple […]
Gateshead-based writer Rachel Magdeburg chose to write about the Newcastle artist Nicola Singh for her 3-Phase artist profile. Language is thrilling and pivotal to the artist Nicola Singh, and her words and those of others are used with precision to create […]
Lancaster 2017 I wasn’t entirely sure what I was letting myself in for when I received the happy news that a-n and RD1st had accepted my application to undertake an 8 day coaching for artists programme. My initial reasons for […]
For his writing task following the workshop at Jerwood Space, London, Bath-based Trevor H Smith chose to write an 800-word profile of the 3-Phase artist Larry Achiampong. Larry Achiampong wants to talk to you. More accurately, perhaps, Larry Achiampong wants […]
Having visited the 3-Phase exhibition at Jerwood Space, London during the second a-n Writer Development Programme workshop, Eastbourne-based writer Judith Alder chose to write her 800-1000 word profile piece on the artist Mark Essen. On a visit to Mark Essen’s […]
This is the first of three posts summarising the last stages of my bursary activities over the last few months. It’s been hugely rewarding period, but one I’ve decided to reflect on retrospectively rather than immediately. August – September Research I […]
I want to challenge myself. I need to stop sticking to the same frame of work and throw myself in the deep end. People just expect a certain style of art from me; They know what I’m going to produce, […]
