What is my work about? This is a difficult question to answer however I am obliged to answer it for college and I have prepared this for my post graduate forum. I make work about what I see and hear […]
Following on from recent discussion in a-n Magazine surrounding the state of Higher Education, in this month’s Debate lecturer Chris Milton asks whether the future of Foundation courses is threatened.
The Collective Gallery, Edinburgh, 5 December – 31 January
Rokeby, London, 13 January – 19 February
Graham Crowley is one of the most distinguished living painters in the UK today. As the deadline closes on entry to the John Moores 2010 competition, Kate Brundrett asked him for his views on the competition’s significance and for his ‘take’ on the state of contemporary art practice.
Surface Gallery, Nottingham
9 – 13 February 2010
Phew! Arrived home Friday evening, my head spinning, brain buzzing, eyes watering and tummy rumbling. A combination of affects that made me unsure of what to do first – laugh hysterically, write madly, sob despairingly or just collapse in front […]
Q-Art was set up to: -provide a place for graduates to discuss work post- art school -break down boundaries between courses/ colleges/ and levels of study -allow those who have not studied for a degree in art to join in […]
Q-Art uses the crit, or the convenor, the common form of art ‘teaching’ or ‘pedagogy’ in art schools. I am thinking of researching different pedagogical models now… I also graduate soon and will be needing to find money to keep […]
At this stage we have just had feedback for our first module, which began in October. My feedback was good, which seems faintly miraculous, considering the massive build-up of stress that accompanied the dreaded Christmas Holidays (add your own appropriate […]
Richard Taylor talks to an ex systems engineer during his final year of Fine Art Drawing at Swindon College School of Art.
The Wasp Room gallery, Nottingham
4 – 21 February 2010
So what is Q-Art? Q-Art currently borrows from main format of teaching used in most art schools, the ‘crit’. It invites students, graduates of all levels/ courses and anyone at all with an interest in art to take part. We […]
Plymouth Arts Centre, Plymouth
21 November – 10 January
Cable car by Suzanne Moxhay.
Aldo Rinaldi and Katherine Daley-Yates discuss northcabin, a programme of site-specific commissions in an unusual venue in Bristol from 2008-09.
The state of art education should, indeed, cause much concern to us all (Debate, November 2009).
Christopher Thomas reconsiders risk and success in art and blogging.
JULIET- GSA Mutual crawled in to a hole over Christmas to eat and sleep, underground its great, fluffy body swelled and got stronger and as the old year expired The Mutual, Glasgow emerged into the light a bigger, better beast […]
Richard Taylor talks to Kim Walker, MFA student at School of the Art Institute of Chicago.
The Arena, Liverpool
19 – 26 November 2008
