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Reflections on collaboration cover
Resource Research paper

Reflections on collaboration

by Chris Fremantle

Chris Fremantle highlights key themes and issues around collaboration making use of a-n’s extensive archive of texts on the subject.

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Resource Archive Discussion

Special thanks

by Susan Jones

Although very many individuals now and in the past have given their best to or contributed hugely to a-n Magazine, with this the very last issue, I’d like to extend some special thanks: firstly to Gillian Nicol who started with […]

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Blog Post

Untitled blog post from "Westgate Studio"

by Alice Bradshaw

UNIVERSITY OF INCIDENTAL KNOWLEDGE STAFF SHOW Wednesday 28th March 2012 Westgate Studios, Wakefield The University of Incidental Knowledge is a collaboration based on a higher education model, incorporating self-directed and peer-to-peer learning. Incidental Knowledge is acquired by chance; through the […]

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Blog Post

Untitled blog post from "Westgate Studio"

by Alice Bradshaw

UNIVERSITY OF INCIDENTAL KNOWLEDGE STAFF SHOW Wednesday 28th March 2012 Westgate Studios, Wakefield The University of Incidental Knowledge is a collaboration based on a higher education model, incorporating self-directed and peer-to-peer learning. Incidental Knowledge is acquired by chance; through the […]

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Blog Post

Untitled blog post from "Westgate Studio"

by Alice Bradshaw

UNIVERSITY OF INCIDENTAL KNOWLEDGE STAFF SHOW Wednesday 28th March 2012 Westgate Studios, Wakefield The University of Incidental Knowledge is a collaboration based on a higher education model, incorporating self-directed and peer-to-peer learning. Incidental Knowledge is acquired by chance; through the […]

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Blog Post

Untitled blog post from "University of Incidental Knowledge"

by Alice Bradshaw

UNIVERSITY OF INCIDENTAL KNOWLEDGE STAFF SHOW Wednesday 28th March 2012 Westgate Studios, Wakefield The University of Incidental Knowledge is a collaboration based on a higher education model, incorporating self-directed and peer-to-peer learning. Incidental Knowledge is acquired by chance; through the […]

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Blog Post

Untitled blog post from "FROM LONDON TO LOCALISM"

by Jennifer Steele

I have been watching, as if from afar, how my various environments have changed over the past few months(nearly 6 months-eek!) since I have relocated from London to the North West. Living very near the city centre, my partner says […]

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Blog Post

Untitled blog post from "University of Kent"

by Lee Devonish

It’s that time at last – our contextual studies lectures have come to an end, and the Monday time slot has been assigned one-to-one dissertation feedback sessions with our lecturer, Kath. She’s just had two essays published in 50 Key […]

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Blog Post

Untitled blog post from "Manor Oaks Wood-firing Group"

by Sarah Villeneau

SMOKELESS KILN BUILDING COURSE The 18th Century remains of Manor Farm form the last part of the historic Sheffield Manor Lodge site to be restored. An important part of the redevelopment will be the construction of the first urban smokeless […]

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Starchitect
Resource Archive Feature

Realising the value

by Dany Louise

An abridged version of Dany Louise’s follow-up report on small visual arts organisations cut by Arts Council England, six months after her ‘Ladders for development’ enquiry. She asks: how have these organisations fared and what do their futures hold? Read the full version of this report with updates on all surveyed organisations: www.a-n.co.uk/realising_the_value

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Installation as part of Artsway New Forest Pavilion
Resource Research paper

Realising the value: how practice-based organisations will fare after ACE cuts

by Dany Louise

‘Ladders for development’ argues that the visual arts sector should pull together and support small visual arts organisations cut by Arts Council England because they “punch above their weight” and provide vital development of future artists. Six months on, Dany Louise interviews these arts organisations again, to find out how they’ve fared and what their futures hold.

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Resource Archive Discussion

Women in the arts

by Cara Courage

Cara Courage examines the evidence about the gender imbalance in the arts workforce and asks whether it’s really down to women wanting to ‘have it all’.

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Oliver in his studio at Miller Street, Glasgow
Resource Profile

Career profile: Oliver Braid

by Richard Taylor

After his show for New Work Scotland Programme at Collective Gallery, Edinburgh and before his solo show at Liverpool’s Royal Standard, Oliver Braid shares some thoughts on his career as an artist so far, including ideas on how to make a self-made residency and how to organise your own ‘graduate diary’.

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Resource Archive News archive

Debating future arts

by a-n Editorial

‘W/Here: Contesting Knowledge in the 21st Century’, the 5th ELIA Leadership Symposium at Emily Carr University of Art and Design Vancouver, Canada (7-9 December) will bring together leaders from higher arts education institutions and universities across the globe for a […]

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Turning Point: A strategy for the contemporary visual arts in England
Resource Research paper

Understanding Turning Point – A briefing paper

by Phyllida Shaw

Over the past five years, the words Turning Point have been read, heard, written and spoken with increasing frequency by people in the visual arts in England, but for many individual arts practitioners, in particular, the origins and activities of Turning Point remain a bit opaque.  This briefing paper is for them and for anyone interested in understanding more about what Turning Point is and does.

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