Emergence Bursary recipient Lauren Saunders, who is known for primarily working with drawing and collage, discusses the impact the award has had on her practice and her plans for the future.
This is the transcript for a Lecture & Masterclass to be held at Frankfurt University Hospital.With the COVID-19 crisis, I reframed my talk to the criticality for scientists to work with creative & neurodiverse allies. I invited all to join a new Network. We’re stronger together.
Jane Boyer pays tribute to the artist Rebecca Fairman who, alongside her own practice, ran artist-led gallery Arthouse1 in Bermondsey, London.
The Other Art Fair, presented by Saatchi Art, returns to the Old Truman Brewery in March for the 19th London edition of the vibrant artist-led fair.
a-n’s Exhibition Payment Guide says artists should make sure they provide clear evidence of their work and experience when approaching a gallery with a proposal. This quick guide offers advice on the main areas to consider when developing a proposal, and includes tips on what to include when responding to an approach from a gallery or making a speculative pitch.
Announcing the recipients of this year’s a-n Artist Bursaries, which offer awards of £500-£1,500 to a-n Artist members wishing to undertake self-determined professional development over the coming year. We take a look at some of this year’s funded projects and hear from successful applicants.
In recent years many artists have moved from major conurbations to smaller towns or cities in the UK, with access to cheaper work space and accommodation, improved health and wellbeing, and the need for stronger community networks among the factors influencing their decision to relocate. In this guide, Dan Thompson explores the many and varied reasons why artists move to a new place.
Contemporary Arts Programme Manager at the National Trust Grace Davies explores the benefits to non-arts organisations of commissioning artists outside of traditional gallery spaces, and offers some top tips for artists to consider when making an application.
Hannah Pierce, who has held curatorial and programming roles with organisations including The National Trust and Jerwood Visual Arts, offers advice and explores the key issues to consider when applying for a residency with non-arts organisations.
Kevin Hunt explores the nature of temporariness and expiration, morphing and longevity in artist-led initiatives. Written to coincide with the launch of the Artist-Led Hot 100 (version ii) and Assembly Liverpool, May 2017.
The award from National Lottery Heritage Fund activates a grant of almost £1m from Arts Council England, which will help transform historic Islington Mill into a 21st century community art space.
Our regular selection of shows to see around the UK, including a Saad Qureshi’s sculptural ‘mindscapes’ at Yorkshire Sculpture Park, the SSA | VAS OPEN at Royal Scottish Academy, Edinburgh, plus Anthony Shapland’s multidisciplinary work at Exeter Phoenix.
Negotiation is one of the four core principles of a-n/AIR’s Exhibition Payment Guide. This quick guide offers 10 tips for better negotiation.
A best practice reference guide to use when creating an agreement for a solo or group exhibition with a gallery or organisation presenting visual arts. You can also use the a-n Contracts Toolkit to build a contract to the specific exhibition context, and this checklist will support you with this.
Rosemary Shirley explores new approaches to curating in rural contexts including New Geographies, a project developed by a consortium of nine arts organisations based in the East of England, and Ian Giles work as part of the project, Open Ramble East, which looks at queering rural places through rambling walks.
Continuing our series of articles on the Coventry Biennial, which each of the eight participants on the programme submitted following the November workshop, here’s Isaac Nugent’s 1,000-word feature. 7. Coventry Biennial by Isaac Nugent “It could have gone horribly wrong.” […]
The artist and co-director of Salford-based Paradise Works discusses her highlights of the last year including the ‘enormous confidence boost’ of being announced recipient of the Clore Visual Arts Fellowship, supported by a-n.
Senior Curator of the Hayward Gallery, London, and curator of Cathy Wilkes’ British Council commission at the British Pavilion, La Biennale di Venezia 2019, discusses her highlights of the last year.
Following the first workshop in the a-n Writer Development Programme 2019-20, which took place at Coventry Artspace in November, the writers were tasked with writing a 1,000-word article on the Coventry Biennial. The brief asked for direct quotes from biennial […]
This week’s selection includes exhibitions and events in Glasgow, Salisbury, Scunthorpe and London – all taken from our busy Events section featuring events and shows posted by a-n members.
A review of Shore by Emily Scarrott
Jerwood Arts has announced over £1 million of support for early-career artist development across the UK arts sector in 2020, plus its programme of exhibitions and events supporting early career visual artists.
Looking back on my residency in Portugal and the changes it made to my work as a painter.
We take a look back at some of the highlights from the recent a-n Assembly, which focused on activism in the arts and the artist as activist, activator and change maker.
This Christmas, ditch the high street and discover original artworks and handcrafted gifts by independent artists and makers who will be opening their studios or putting up market stalls at a range of venues. Lauren Lomax makes a selection from across the UK.
