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A Q&A with… Laura Purseglove, project curator, Art and Christianity Enquiry Trust

As a member of Artangel’s production team, Laura Purseglove is used to site-specific working and navigating the complexities of staging art projects in historic buildings. All of which will be useful experience for her role at ACE Trust, where over the next two years she will be developing a programme of exhibitions and commissions for churches and cathedrals throughout the UK. Pippa Koszerek finds out more.

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Latest updates

It’s been a while again since I updated! Partly because it’s all behind the scenes stuff right now and I have been simultaneously working on three other projects on top of Made in Korea: my current public art commission, a […]

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NOW SHOWING #182: The week’s top exhibitions

This week’s selection includes a group show in Gateshead exploring the journeys taken by migrants and refugees to cross the Mediterranean Sea, a playful take on curating in Manchester, and the beginning of Bluecoat’s 300-day tercentenary programme in Liverpool.

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Online exhibition sees US artists respond to Trump presidency

The seventh edition of Fermynwoods’ annual online exhibition features two UK-based American artists whose work has resonances with the current political situation in the US. Jack Hutchinson speaks to Anna Brownsted and Jessica Harby about the anger, despair and anxiety fuelling their approach.

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A Q&A with… Lubaina Himid, painter and British Black Arts Movement pioneer

With solo exhibitions at Spike Island and Modern Art Oxford, and archival work in a new group show at Nottingham Contemporary focusing on Black British art from the 1980s, Lubaina Himid’s paintings and installations are attracting both critical and popular acclaim. Fisun Güner talks to her about politics, migration, and taking on the art establishment.

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Midwestern blues: Trump, a polarised America, and the curse and opportunity of ‘interesting times’

As Washington DC prepares for the 20 January presidential inauguration and the rest of the world is gripped/appalled by the latest predictably narcissistic Donald Trump Twitter outburst, London-based artist Sonya Dyer – who was on a residency in Nebraska during the election – reflects on her US experience and considers what the new era means for art and artists.

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