In May and June 2017, a-n will be delivering five Assembly events at locations across England, featuring speakers and training on a range of subjects.
As Clore Visual Artist Fellow Maurice Carlin sets off on the second leg of his a-n supported research trip, we look back at his first week of posts on a-n’s Instagram, exploring Hong Kong’s visual art scene.
10 a-n Artist members have been awarded bursaries to attend the preview of Venice Biennale 2017 in May, and a further 13 members will travel to Kassel, Germany, in June to attend the press and professionals preview of Documenta 14.
A weekly briefing featuring national and international art news, including: National Gallery’s bid to save £30m Pontormo painting rejected due to Sterling slump.
Clore Visual Artist Fellow Maurice Carlin is taking over the a-n Instagram for the next two weeks as he travels to China and India to explore the markets and infrastructures of two very distinct art ecologies.
Tate Britain’s biggest-ever David Hockney retrospective features bite-sized chunks of each phase of the Yorkshire painter’s expansive output. Fisun Güner finds the fastest-selling show in Tate’s history topped and tailed by brilliant, keenly observed work, but short on surprises.
As a-n launches its dedicated coaching accreditation programme for the visual arts, Pippa Koszerek speaks to the four artists who tested the waters in 2016.
This week’s selection includes a group show in Gateshead exploring the journeys taken by migrants and refugees to cross the Mediterranean Sea, a playful take on curating in Manchester, and the beginning of Bluecoat’s 300-day tercentenary programme in Liverpool.
This week’s column – featuring exhibitions and projects posted by a-n members on our busy Events section – takes us to Cambridge, Milton Keynes, Glasgow and London.
The seventh edition of Fermynwoods’ annual online exhibition features two UK-based American artists whose work has resonances with the current political situation in the US. Jack Hutchinson speaks to Anna Brownsted and Jessica Harby about the anger, despair and anxiety fuelling their approach.
With solo exhibitions at Spike Island and Modern Art Oxford, and archival work in a new group show at Nottingham Contemporary focusing on Black British art from the 1980s, Lubaina Himid’s paintings and installations are attracting both critical and popular acclaim. Fisun Güner talks to her about politics, migration, and taking on the art establishment.
Devonshire Collective is a new council-backed gallery and workshop space on Eastbourne’s seafront, providing professional development and resources for artists while also delivering socially-engaged projects. Dany Louise reports.
A weekly briefing featuring national and international art news, including: Alasdair Gray to exhibit at Glasgow Library, Christo cancels project in protest against Trump, and Saatchi gallery to exhibit selfies.
This week’s selection taken from a-n’s busy Events section includes a critique of NHS Transgender care waiting lists, landscapes of social housing, regeneration and memory, and an undercover book trail exploring the 10th century art of fore-edge painting.
Congratulations to artist Stuart Mayes who has been charting the progress of his practice on his a-n blog Project Me since January 2007.
As Washington DC prepares for the 20 January presidential inauguration and the rest of the world is gripped/appalled by the latest predictably narcissistic Donald Trump Twitter outburst, London-based artist Sonya Dyer – who was on a residency in Nebraska during the election – reflects on her US experience and considers what the new era means for art and artists.
With scrutiny of the government’s Brexit plans intensifying as Theresa May’s end of March deadline for triggering Article 50 to leave the EU gets nearer, artists are responding to the uncertain climate in a variety of ways. Pippa Koszerek, who as an artist is herself involved in Brexit-related events, takes a look at some forthcoming projects.
What does 2017 have in store in terms of conferences and events, exhibitions, art fairs and festivals? We take a month-by-month look at what the year has to offer – and we’ll be adding new events for later in the year as they’re confirmed.
a-n’s Executive Director Jeanie Scott reflects on an incredibly busy year for the organisation that has seen the publication of the Paying Artists Exhibition Payment Guidance, wide-ranging support for artists through a-n bursaries, and membership reach a record high. And, despite an increasingly messy global situation, says there’s much to look forward to in 2017.
The 2017 a-n bursaries are now open for applications from a-n Artist members, and alongside our regular Professional development, Travel awards and Venice Biennale bursaries, for the first time we’re offering members the chance to attend the preview of Documenta 14 in Kassel.
It is just as important to nurture individuals and micro arts groups as it is to protect big bricks and mortar institutions In recent months, and in the run-up to this month’s spending round, arts lobbying network What Next? has […]
What makes a city an art market centre? Hosted by The Manchester Contemporary in September 2016, the Fair Cities symposium brought together a number of speakers to discuss the ecologies and infrastructure of developed art markets in the key cities of Basel, Brussels and London. As a partner in the event, a-n captured the insights of these international art world professionals to produce a new set of video resources.
This week’s selection includes painting in London, multidisciplinary art in Gateshead and a group show exploring what it means to be independent in Liverpool.
